Career
In 1896, Edwards was just 17 years old and appearing at Johnny Palmer's Gaiety Saloon in Brooklyn, when James Hyde, a vaudeville agent, saw him performing. He booked a tour for Edwards and four other boys as The Newsboys Quintet act. In 1898, while performing in this act, Edwards wrote his first song, to a lyric by Tom Daly, "All I Want is My Black Baby Back". Edwards could not write music at that time, so he hired Charles Previn to write down the notes. May Irwin sang the song in her act, and helped to popularize it.
While entertaining soldiers at Camp Black, during the Spanish-American War, Edwards met lyricist Will Cobb, and they formed "Words and Music", a partnership that lasted for many years. He was a vaudeville singer, and later had his own vaudeville company. He discovered Walter Winchell, Elsie Janis, Eddie Cantor, the Marx Brothers, Lila Lee, Eleanor Powell, Hildegarde, Ray Bolger, Sally Rand, Jack Pearl, the Lane Sisters, and Ina Ray Hutton. He wrote the Broadway stage scores for "When We Were Forty-One", "Hip Hip Hooray", "The Merry-Go-Round", "School Days", "Ziegfeld Follies of 1910", "Sunbonnet Sue", and "Show Window". He founded the Gus Edwards Music Hall in New York, and also his own publishing company, then produced special subjects for films, and returned to vaudeville between 1930 and 1937, finally retiring in 1939. His chief musical collaborators included Edward Madden, Will Cobb, and Robert B. Smith. His other popular-song compositions include "Meet Me Under the Wisteria", "By the Light of the Silvery Moon", "I Can't Tell You Why I Love You but I Do", "Goodbye, Little Girl, Goodbye", "I Just Can't Make My Eyes Behave", "I'll Be With You When the Roses Bloom Again", "He's My Pal", "Way Down Yonder in the Cornfield", "In Zanzibar", "If a Girl Like You Loved a Boy Like Me", "Jimmy Valentine", "If I Were a Millionaire", "Laddie Boy" and "In My Merry Oldsmobile".
Edwards was the brother of Leo Edwards, and the uncle of Joan Edwards and Jack Edwards.
Bing Crosby played Edwards in a fictionalized version of his life in the 1939 film The Star Maker, directed by Roy Del Ruth. Edwards himself made few screen appearances, the most notable being The Hollywood Revue of 1929, in which he performs as part of a vaudeville act. He also wrote all the music for The Hollywood Revue of 1929, as credited in the closing credits of the production, with the exception of "Singin' in the Rain" with lyrics by Arthur Freed and music by Nacio Herb Brown. He also performs a specialty number: "Lon Chaney's Gonna Get You If You Don't Watch Out".
Edwards was a founder member of ASCAP in 1914 and was inducted into the Songwriters Hall of Fame in 1970.
Read more about this topic: Gus Edwards (songwriter)
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Work-family conflictsthe trade-offs of your money or your life, your job or your childwould not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)