Theatrical Version Changes
When Endless Waltz was released in theaters in 1998 as a lead-in to Gundam's 20th anniversary, several new scenes were added, adding approximately ten minutes of new footage to the story.
- The titlecards and transitions between episodes were removed, making the three episodes into a single movie.
- Many of the instrumental score cues have been shifted around from the OVA. Additionally, the OVA's ending theme, White Reflection, is replaced with a new theme, Last Impression, performed by TWO-MIX.
- Duo's flashback is moved up to the shuttle flight, just before Heero's; in the OVA, it takes place as Trowa's Serpent fires at Duo's Leo.
- There is a new scene which shows Zechs reading his field manual inside the Tallgeese III and his eventual reunion with Lucrezia Noin. This takes place after he destroys the Mariemaia Army headquarters at MO-3.
- A new scene shows Sally Po, donning a stolen Mariemaia Army uniform, rescuing the hostages on X18999 (including Catherine Bloom and the circus manager).
- The battle scene in Brussels, involving the Gundam Pilots, the Preventers, and the Serpents, is lengthened in comparison to the OVA.
- Another new scene, taking place after Relena's impromptu speech, has Dorothy Catalonia appear in Brussels, convincing the citizens to heed Relena's words and do things for themselves if they want true peace.
- Another additional scene features the damaged Wing ZERO lying at the bottom of the sea, with an unconscious Heero inside the cockpit, following the battle against Altron. The Gundam then re-activates on its own, awakening its pilot in the process, and supposedly convinces Heero to complete his mission.
- The individual character endings are changed to be longer and more elaborate, but remain generally the same in tone.
Read more about this topic: Gundam Wing: Endless Waltz
Famous quotes containing the words theatrical and/or version:
“A Carpaccio in Venice, la Berma in Phèdre, masterpieces of visual or theatrical art that the prestige surrounding them made so alive, that is so invisible, that, if I were to see a Carpaccio in a gallery of the Louvre or la Berma in some play of which I had never heard, I would not have felt the same delicious surprise at finally setting eyes on the unique and inconceivable object of so many thousands of my dreams.”
—Marcel Proust (18711922)
“If the only new thing we have to offer is an improved version of the past, then today can only be inferior to yesterday. Hypnotised by images of the past, we risk losing all capacity for creative change.”
—Robert Hewison (b. 1943)