Gulf War - Media Coverage

Media Coverage

The Persian Gulf War was a heavily televised war. For the first time people all over the world were able to watch live pictures of missiles hitting their targets and fighters taking off from aircraft carriers. Allied forces were keen to demonstrate the accuracy of their weapons.

In the United States, the "big three" network anchors led the network news coverage of the war: ABC's Peter Jennings, CBS's Dan Rather, and NBC's Tom Brokaw were anchoring their evening newscasts when air strikes began on 16 January 1991. ABC News correspondent Gary Shepard, reporting live from Baghdad, told Jennings of the quietness of the city. But, moments later, Shepard was back on the air as flashes of light were seen on the horizon and tracer fire was heard on the ground.

On CBS, viewers were watching a report from correspondent Allen Pizzey, who was also reporting from Baghdad, when the war began. Rather, after the report was finished, announced that there were unconfirmed reports of flashes in Baghdad and heavy air traffic at bases in Saudi Arabia. On the "NBC Nightly News", correspondent Mike Boettcher reported unusual air activity in Dhahran, Saudi Arabia. Moments later, Brokaw announced to his viewers that the air attack had begun.

Still, it was CNN which gained the most popularity for their coverage, and indeed its wartime coverage is often cited as one of the landmark events in the development of the network. CNN correspondents John Holliman and Peter Arnett and CNN anchor Bernard Shaw relayed audio reports from the Al-Rashid Hotel as the air strikes began. The network had previously convinced the Iraqi government to allow installation of a permanent audio circuit in their makeshift bureau. When the telephones of all of the other Western TV correspondents went dead during the bombing, CNN was the only service able to provide live reporting. After the initial bombing, Arnett remained behind and was, for a time, the only American TV correspondent reporting from Iraq.

In Britain, the BBC devoted the FM portion of its national speech radio station BBC Radio 4 to a 18h rolling news format creating Radio 4 News FM. The station was short lived, ending shortly after the President Bush declared the ceasefire and the liberation of Kuwait. However, it paved the way for the later introduction of Radio Five Live.

Two BBC journalists, John Simpson and Bob Simpson (who, despite sharing a surname, are unrelated), defied their editors and remained in Baghdad to report on the progress of the war. They were responsible for a report which included an "infamous cruise missile that travelled down a street and turned left at a traffic light."

Newspapers all over the world also covered the war and Time magazine published a special issue dated 28 January 1991, the headline "WAR IN THE GULF" emblazoned on the cover over a picture of Baghdad taken as the war began.

U.S. policy regarding media freedom was much more restrictive than in the Vietnam War. The policy had been spelled out in a Pentagon document entitled Annex Foxtrot. Most of the press information came from briefings organized by the military. Only selected journalists were allowed to visit the front lines or conduct interviews with soldiers. Those visits were always conducted in the presence of officers, and were subject to both prior approval by the military and censorship afterward. This was ostensibly to protect sensitive information from being revealed to Iraq. This policy was heavily influenced by the military's experience with the Vietnam War, in which public opposition within the United States grew throughout the course of the war. It wasn't only the limiting of information in the Middle East, media were also restricting what was shown about the war with more graphic depictions like Ken Jarecke's image of a burnt Iraqi soldier being pulled from the American AP wire whereas in Europe it was given extensive coverage.

At the same time, the coverage of this war was new in its instantaneousness. About halfway through the war, Iraq's government decided to allow live satellite transmissions from the country by Western news organizations, and U.S. journalists returned en masse to Baghdad. Tom Aspell of NBC, Bill Blakemore of ABC, and Betsy Aaron of CBS News filed reports, subject to acknowledged Iraqi censorship. Throughout the war, footage of incoming missiles was broadcast almost immediately.

A British crew from CBS News (David Green and Andy Thompson), equipped with satellite transmission equipment traveled with the front line forces and, having transmitted live TV pictures of the fighting en route, arrived the day before the forces in Kuwait City, broadcasting live television from the city and covering the entrance of the Arab forces the following day.

Alternative media outlets provided views in opposition to the Gulf War. Deep Dish Television compiled segments from independent producers in the U.S. and abroad, and produced a ten hour series that was distributed internationally, called The Gulf Crisis TV Project. The first program of this series War, Oil and Power was compiled and released in 1990, before the war broke out. News World Order was the title of another program in the series; it focused on the complicity of the media in promoting the war, as well as Americans' reactions to the media coverage. In San Francisco, as a local example, Paper Tiger Television West produced a weekly cable television show with highlights of mass demonstrations, artists' actions, lectures, and protests against mainstream media coverage at newspaper offices and television stations. Local media outlets in cities across the country screened similar oppositional media.

The organization Fairness and Accuracy in Reporting (FAIR) critically analyzed media coverage during the Gulf War in various articles and books, such as the 1991 Gulf War Coverage: The Worst Censorship was at Home.