Guilhermina Suggia - Biography

Biography

Suggia was born in Porto to a family of Italian descent. Her father was a competent musician and taught her musical theory and cello. Such was her progress that by the age of 12 she was appointed principal cellist of the local orchestra, the Orpheon Portuense. In 1904, under the patronage of Queen Maria Amélia of Portugal, she went to study at the Leipzig Conservatoire under Julius Klengel.

Within a year Suggia was asked to appear as a soloist with the Leipzig Gewandhaus Orchestra under its conductor, Arthur Nikisch. From 1906 to 1912 she lived and worked in Paris with the cellist Pablo Casals. It was generally believed, incorrectly, that the two were married, and Suggia was sometimes billed as "Mme P. Casals-Suggia". She began to tour internationally, building her reputation. She and Casals were rated as "the world's leading cellists." After they separated, Suggia retained her admiration for Casals, describing him as pre-eminent among living cellists. In 1914 she formed a trio with the violinist Jelly d'Arányi and the pianist Fanny Davies. She was particularly celebrated in England, where she lived in the 1920s and 1930s. She was a frequent visitor to Lindisfarne Castle in northern England, where a cello now rests in the Music Room in commemoration of her time spent there.

In 1927, Suggia married Jose Mena, an X-ray specialist. During World War II, Suggia and her husband returned to Portugal, where she lived in retirement. She visited Britain after the war, giving performances of the Elgar Cello Concerto in aid of charity. She gave her last concerts at the Edinburgh Festival in 1949 and in Bournemouth later the same year. Suggia died of cancer in Porto at the age of 65, a year after the death of her husband.

Read more about this topic:  Guilhermina Suggia

Famous quotes containing the word biography:

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)