Production
Kirk Cameron claims he was once an atheist, but when Kirk was 17, during the height of his career on Growing Pains, he developed a belief in God, and became a born-again Christian. After converting to Christianity, he began to insist that story lines be stripped of anything he thought too adult or racy in Growing Pains. According to interviews with cast and crew for an episode of The E! True Hollywood Story Cameron's new morals caused increasing creative headaches for the show as he would object to even mild innuendo. One example involved a scene which opened with Cameron's character Mike and a girl talking in bed only to pull out to reveal that they were on stage rehearsing a scene for a play. Cameron objected even to the suggestion of pre-marital sex on the show. Alan Thicke privately counseled him that more explicitly Christian entertainment might be a better fit for Cameron, commenting that Growing Pains was "about as pablum as it gets" in mainstream entertainment.
The biggest consequence of Cameron's conversion to Christianity was the firing of actress Julie McCullough who had landed the role of nanny Julie Costello in 1989. McCullough's character appeared in eight episodes of the show before she was fired at Cameron's insistence. Cameron objected to McCullough's having posed nude in Playboy, and accused the show's producers of promoting pornography. A decade later, Cameron apologized to his TV family, attributing his prior behavior to his lack of maturity, but did not reconcile with McCullough, who claims that Cameron refused to speak to her during a later encounter, and who remains critical of him, stating that she lost a lot from the public criticism she endured from the controversy. McCullough has criticized the evangelical television programming Cameron has produced, which she has viewed on one occasion, saying on her MySpace page:
“ | He thinks if I read science books that I'm going to hell. rather laugh with the sinners than cry with the saints ... the sinners are much more fun. And a lot more interesting than some book-burner who is still having growing pains. I am at peace with God. Kirk thinks people like me are going to Hell, if I do then at least I'll go well informed and well read. | ” |
In season four, the show's scripts called for the character Carol Seaver to be the brunt of fat jokes from her television brothers. Beginning in October 1988, Gold dieted from 133 pounds to about 110 pounds on a medically-supervised 500 calorie a day diet, but still occasionally the scripts included fat jokes at her expense. In her autobiography, she says that between 1989 and 1991, she became increasingly obsessed with food and her weight and continued to slowly and steadily lose weight. In 1990 Gold began group therapy in an eating disorder program, but only learned more ways to lose weight. That season, her problem with weight loss was touched upon slightly on the television series, when Gold is seen looking at her body in a carnival mirror, and describes to another character the distorted image in her head. In 1991, she started starving herself more than ever and vomiting, and lost a massive amount of weight, to the point that she was admitted to a hospital in early 1992. Her lowest weight is estimated to have been near 80 pounds. She was suspended from the show for her skeletal appearance. Photos of Gold's emaciated body were plastered all over tabloid magazines, and she was one of the first celebrities ever to be formally outed for anorexia. She last appeared in the 1991 episode, "Menage a Luke" after missing the two prior episodes where her problem is very obvious in some scenes, and did not return until the last two shows of the series in the late spring of 1992, although she was not nearly recovered at this point.
Read more about this topic: Growing Pains (TV series)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)