Reception
The film was released to universal acclaim. It currently garners a 96% "Certified Fresh" rating on Rotten Tomatoes. On Metacritic, the movie has a score of 72 ("generally favorable reviews") out of 100. It was also nominated for the Hugo Award for Best Dramatic Presentation, but lost to Jurassic Park.
Groundhog Day was a solid performer in its initial release, grossing $70.9 million in North America and ranking 13th among films released in 1993. It found a second life on home video and cable. The film is number thirty-four on the American Film Institute's list of 100 Funniest Movies, and was named the number eight Fantasy film in AFI's 10 Top 10. Roger Ebert has revisited it in his "Great Movies" series. After giving it a three-star rating in his original review, Ebert acknowledged in his "Great Movies" essay that, like many viewers, he had initially underestimated the film's many virtues and only came to truly appreciate it through repeated viewings. In 2009, the American literary theorist and legal scholar Stanley Fish named the film as among the ten best American films ever.
The film is number 32 on Bravo's "100 Funniest Movies". In Total Film's 1990s special issue, Groundhog Day was deemed the best film of 1993 (the year that saw the release of Schindler's List, The Piano and The Fugitive). In 2000, readers of Total Film voted it the seventh greatest comedy film of all time. The Writers Guild of America ranked the screenplay #27 on their list of 101 Greatest Screenplays ever written.
Read more about this topic: Groundhog Day (film)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)