Green Day - Related Projects

Related Projects

Since 1991, members of the band have branched out past Green Day and have started other projects with other musicians. Notable related projects of Green Day include Billie Joe Armstrong's Pinhead Gunpowder (which also features Green Day's guitarist Jason White), The Frustrators in which Mike Dirnt plays bass, and The Network, a collaboration between Green Day and members of the band, Devo in which all members play under fake stage names. Green Day has also released an album titled Stop Drop and Roll!!! on May 20, 2008, under the name Foxboro Hot Tubs, they currently use this name to book secret shows. In late December 2011, Armstrong formed a new side band called The Boo along his wife Adrienne and their two sons.

In September 2006, Green Day collaborated with U2 and producer Rick Rubin to record a cover of the song "The Saints Are Coming", originally recorded by The Skids, with an accompanying video. The song was recorded to benefit Music Rising, an organization to help raise money for musicians' instruments lost during Hurricane Katrina, and to bring awareness on the eve of the one year anniversary of the disaster.

In December 2006, Green Day and NRDC opened a web site in partnership to raise awareness on America's dependency on oil.

Green Day released a cover of the John Lennon song "Working Class Hero", which was featured on the album Instant Karma: The Amnesty International Campaign to Save Darfur. The band performed the song on the season finale of American Idol. The song was nominated for a Grammy Award in 2008, though lost to The White Stripes' "Icky Thump". That summer, the band appeared in a cameo role in The Simpsons Movie, where they perform the show's theme song. Their version was released as a single on July 24, 2007.

In 2009, the band collaborated with theatre director Michael Mayer to adapt their rock opera American Idiot into a one-act stage musical that premiered at the Berkeley Rep on September 15, 2009. The show then moved to Broadway on April 20, 2010.

The reviews of American Idiot: The Musical have been positive to mixed. Charles Isherwood of The New York Times wrote an enthusiastic review for the Broadway production. He called the show "a pulsating portrait of wasted youth that invokes all the standard genre conventions ... only to transcend them through the power of its music and the artistry of its execution, the show is as invigorating and ultimately as moving as anything I’ve seen on Broadway this season. Or maybe for a few seasons past." Jed Gottlieb of the Boston Herald enjoyed the premise of the show but found that "the music and message suffer in a setting where the audience is politely, soberly seated". Michael Kuchiwara of the Associated Press found the show to be "visually striking musically adventurous", but noted that "the show has the barest wisp of a story and minimal character development". Paul Kolnik in USA Today enjoyed the contradiction that Green Day's "massively popular, starkly disenchanted album ... would be the feel-good musical of the season". Time magazine's Richard Zoglin opined that the score "is as pure a specimen of contemporary punk rock as Broadway has yet encountered there's enough variety. ... Where the show fall short is as a fully developed narrative." He concluded that "American Idiot, despite its earnest huffing and puffing, remains little more than an annotated rock concert. ... Still, deserves at least two cheers – for its irresistible musical energy and for opening fresh vistas for that odd couple, rock and Broadway." Peter Travers from Rolling Stone, in his review of American Idiot, wrote "Though American Idiot carries echoes of such rock musicals as Tommy, Hair, Rent and Spring Awakening, it cuts its own path to the heart. You won’t know what hit you. American Idiot knows no limits—it's a global knockout."

The musical has been nominated for a number of Tony Awards, including Best Musical and Best Scenic Design. It was also nominated for a number of Drama Desk Awards and Outer Critics Circle Awards.

In October 2009, a Green Day art project was exhibited at StolenSpace Gallery in London. The exhibition showed artworks created for each of the songs on 21st Century Breakdown, was supported by the band, and led by their manager Pat Magnarella. He explained in an interview that " basically like rock bands. Most are creating their art, but don't know how to promote it." For Billie Joe Armstrong, "Many of the artists... show their work on the street, and we feel a strong connection to that type of creative expression."

On April 13, 2011, a film version of American Idiot was confirmed. Michael Mayer, director of the Broadway musical, will be directing the film. It will be produced by Green Day, Pat Magnarella (Green Day's manager who also produced Bullet in a Bible, Awesome as Fuck, and Heart Like a Hand Grenade), Playtone (Tom Hanks and Gary Goetzman) and Tom Hulce.