Plot
Eikichi Onizuka is a 22-year-old ex-gang member and a virgin. While peeping up girls' skirts at a local shopping mall, Onizuka meets a girl who agrees to go out on a date with him. Onizuka's attempt to sleep with her fails when her current "boyfriend", her teacher, shows up at the love hotel they are in and asks her to return to him. The teacher is old and unattractive, but has sufficient influence over her that she leaps from a second-story window and lands in his arms.
Onizuka, upon seeing this display of a teacher's power over girls, decides to become a teacher himself. However, he earns his teaching degree, just barely, at a second-rate college. In his quest, he discovers two important things: he has a conscience and a sense of morality. This means taking advantage of impressionable schoolgirls is out, but their unusually attractive mothers are a different matter. He enjoys teaching and, most of the time, he teaches life lessons rather than the routine schoolwork. He hates the systems of traditional education, especially when they have grown ignorant and condescending to students and their needs.
With these realizations, he sets out to become the greatest teacher ever, using his own brand of philosophy and the ability to do nearly anything when under enough pressure. He is hired as a long-shot teacher by a privately operated school, in Kichijōji, to tame a class that has driven one teacher to a mysterious death, another to nervous breakdown, and one other to joining a cult. He embarks on a mission of self-discovery by breaking through to each student one-by-one, and helping each student to overcome their problems and learn to genuinely enjoy life.
Read more about this topic: Great Teacher Onizuka
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)