Plot
Eikichi Onizuka is a 22-year-old ex-gang member and a virgin. While peeping up girls' skirts at a local shopping mall, Onizuka meets a girl who agrees to go out on a date with him. Onizuka's attempt to sleep with her fails when her current "boyfriend", her teacher, shows up at the love hotel they are in and asks her to return to him. The teacher is old and unattractive, but has sufficient influence over her that she leaps from a second-story window and lands in his arms.
Onizuka, upon seeing this display of a teacher's power over girls, decides to become a teacher himself. However, he earns his teaching degree, just barely, at a second-rate college. In his quest, he discovers two important things: he has a conscience and a sense of morality. This means taking advantage of impressionable schoolgirls is out, but their unusually attractive mothers are a different matter. He enjoys teaching and, most of the time, he teaches life lessons rather than the routine schoolwork. He hates the systems of traditional education, especially when they have grown ignorant and condescending to students and their needs.
With these realizations, he sets out to become the greatest teacher ever, using his own brand of philosophy and the ability to do nearly anything when under enough pressure. He is hired as a long-shot teacher by a privately operated school, in Kichijōji, to tame a class that has driven one teacher to a mysterious death, another to nervous breakdown, and one other to joining a cult. He embarks on a mission of self-discovery by breaking through to each student one-by-one, and helping each student to overcome their problems and learn to genuinely enjoy life.
Read more about this topic: Great Teacher Onizuka
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)