Plot
Gray Baldwin (Heather Graham), a family oriented and quiet bachelorette, lives a close-knit life with her brother, Sam (Tom Cavanagh). Their lifestyle is generally co-dependent, involving them living together, going to dance classes together, etc. Gray and Sam's relationship has never been thought of as strange, but once a dinner party guest mistakes the siblings as a couple, Gray and Sam decide to venture outside of one another. While discussing with each other what they can do about their single lifestyles, and how they can "hook each other up" with a significant other. Their conversation continues to the park, where Gray meets a possible girlfriend for Sam, Charlie Kelsey (Bridget Moynahan). Gray then introduces Charlie and Sam, and they instantly bond, agreeing to see each other again.
To Gray's surprise, Charlie and Sam become engaged, two days after their meeting. Charlie and Sam insist they are so in love with one another, they should go to Las Vegas the following morning and elope there, inviting Gray along. Gray is a little hesitant, but agrees when Charlie says they can have a "mini bachelorette party". Gray agrees and the three make their way out to Vegas. While in Vegas, Gray takes Charlie out for a hen night, and after many drinks, the two share a drunken kiss. The next morning, Charlie does not remember anything, but Gray has not slept the whole night, due to the bond she felt with Charlie. After realisation, Gray comes to a conclusion that she is attracted to women, and is falling in love with her sister-in-law.
The events that occurred in Vegas begin a beautiful journey of self-discovery, testing the relationship between two close siblings and finding happiness in lonely Manhattan.
Read more about this topic: Gray Matters
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)