Gravitational Forces - Song Selection

Song Selection

The songs on the album that Keen didn't write range from Johnny Cash's often-covered classic, "I Still Miss Someone" to Townes Van Zandt's more obscure "Snowin' on Raton". Keen and his band also cover the traditional blues, "Walkin' Cane" in what has been described as a "rowdy, back-porch take," and treat Terry Allen's "High Plains Jamboree" with a backdrop of "bar room party sounds."

The cover that reviewers most recognize as a choice pick to match Keen and his career outside of mainstream music is Joe Dolce's "Hall of Fame". Keen sings:

My Home ain't in the hall of fame

You can go there you won't find my name

And my songs don't belong on top forty radio

I'll keep the old back forty for my home.

Keen's own songs provide many of the albums highlights. "Wild Wind" is a harmonica-heavy minor key introduction to a series of tragic small-town characters, that will leave some listeners wanting to know more. Keen says that some of the characters that populate his songs are based upon "dead on real people" while others are composites. In "Wild Wind", he says, "there's a character that just sort of walks around town and sells papers. He's a mixture of about three or four guys that I know... In general I try to keep with real people, because I feel like you always want to have some hint of the truth where it makes it feel real to you."

"Not a Drop of Rain" is Keen's personal favorite from the album, "It's a very emotional song, written out of thinking what would happen if I lost everything I have." The song has a somewhat unusual guitar accompaniment played in DADGAD tuning and its structure eschews the traditional verse/chorus/verse song structure. Singer-songwriter Shawn Colvin fell in love with the song and began performing it. Her version was recorded in studio and released in 2002 on a compilation by radio station KGSR.

Keen's "Goin' Nowhere Blues" has been described as "chilling" and contains references to Langston Hughes, Woody Guthrie, Martin Luther King, Ceasar Chavez, and down-and-out union workers. Keen manages to connect the tragic aspects of all these disparate lives.

The title track, "Gravitational Forces", has been described as "sort of experimental" by some and "bizarre" or "hysterical" by others. Keen delivers a spoken stream of consciousness on the "temporal distortion of a four-hour sound check," complete with a free jazz accompaniment that caused one reviewer to liken it to Allen Ginsberg's reading of "Howl" backed by the Kronos Quartet.

Although one reviewer indicates that the closing track is Keen's first studio release of his own live signature song, "The Road Goes On Forever", Keen first recorded the song for his 1989 album West Textures. In the earlier recording the track was five minutes long, just enough to relate the plot twists in Keen's story. This time it's a seven minute build-up to some intense and lengthly instrumental solos.

In an August 2001 taping of Austin City Limits, Keen and his band gave a live performance including many of these same songs. This was released in 2004 as the album, Live From Austin, TX.