Plays
At the Grand Guignol, patrons would see five or six plays, all in a style that attempted to be brutally true to the theatre's naturalistic ideals. The plays were in a variety of styles, but the most popular and best known were the horror plays, featuring a distinctly bleak worldview as well as notably gory special effects in their notoriously bloody climaxes. These plays often explored the altered states, like insanity, hypnosis, panic, under which uncontrolled horror could happen. Some of the horror came from the nature of the crimes shown, which often had very little reason behind them and in which the evildoers were rarely punished or defeated. To heighten the effect, the horror plays were often alternated with comedies.
Le Laboratoire des Hallucinations, by André de Lorde: When a doctor finds his wife's lover in his operating room, he performs a graphic brain surgery rendering the adulterer a hallucinating semi-zombie. Now insane, the lover/patient hammers a chisel into the doctor's brain.
Un Crime dans une Maison de Fous, by André de Lorde: Two hags in an insane asylum use scissors to blind a young, pretty fellow inmate out of jealousy.
L'Horrible Passion, by André de Lorde: A nanny strangles the children in her care.
Le Baiser dans la nuit by Maurice Level: A young woman visits the man whose face she horribly disfigured with acid, where he obtains his revenge.
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Famous quotes containing the word plays:
“The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness....”
—William Butler Yeats (1865–1939)
“In the game of “Whist for two,” usually called “Correspondence,” the lady plays what card she likes: the gentleman simply follows suit. If she leads with “Queen of Diamonds,” however, he may, if he likes, offer the “Ace of Hearts”: and, if she plays “Queen of Hearts,” and he happens to have no Heart left, he usually plays “Knave of Clubs.””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sleep-song on our roof at night—”
—Langston Hughes (1902–1967)