Plays
At the Grand Guignol, patrons would see five or six plays, all in a style that attempted to be brutally true to the theatre's naturalistic ideals. The plays were in a variety of styles, but the most popular and best known were the horror plays, featuring a distinctly bleak worldview as well as notably gory special effects in their notoriously bloody climaxes. These plays often explored the altered states, like insanity, hypnosis, panic, under which uncontrolled horror could happen. Some of the horror came from the nature of the crimes shown, which often had very little reason behind them and in which the evildoers were rarely punished or defeated. To heighten the effect, the horror plays were often alternated with comedies.
Le Laboratoire des Hallucinations, by André de Lorde: When a doctor finds his wife's lover in his operating room, he performs a graphic brain surgery rendering the adulterer a hallucinating semi-zombie. Now insane, the lover/patient hammers a chisel into the doctor's brain.
Un Crime dans une Maison de Fous, by André de Lorde: Two hags in an insane asylum use scissors to blind a young, pretty fellow inmate out of jealousy.
L'Horrible Passion, by André de Lorde: A nanny strangles the children in her care.
Le Baiser dans la nuit by Maurice Level: A young woman visits the man whose face she horribly disfigured with acid, where he obtains his revenge.
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Famous quotes containing the word plays:
“Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
—Johann Wolfgang Von Goethe (1749–1832)
“The key word in my plays is “perhaps.””
—Samuel Beckett (1906–1989)
“He who plays advisor is no longer ambassador.”
—Pierre Corneille (1606–1684)