The Grammy Award for Best Gospel/Contemporary Christian Music Performance is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. According to the 54th Grammy Awards description guide it is designed for solo, duo/groups or collaborative (vocal or instrumental) gospel or Contemporary Christian music (CCM) and its subgenres' recordings and is limited to singles or tracks only.
This award was first handed out in 1968 under the name of Best Gospel Performance and was intended for albums only.
In 1971 the award was renamed to Best Gospel Performance (other than soul gospel), including both singles and albums, and ran until 1978 when the award was divided into two new awards, the Grammy Awards for Best Gospel Performance, Traditional and Best Gospel Performance, Contemporary.
The category was then revived in 2005 and it was known once again under the name of Best Gospel Performance. As of 2012, following a major overhaul of the Grammy categories, this award will be renamed as Best Gospel/Contemporary Christian Music Performance which will be eligible for all sub-genres in the gospel/Contemporary Christian Music (CCM) field.
The Blackwood Brothers hold the record for most awards in this category with four wins, two of them alongside Porter Wagoner. They also hold the record for most nominations, with seven. Two-time winners include Porter Wagoner, The Oak Ridge Boys, Karen Clark Sheard and CeCe Winans.
Read more about Grammy Award For Best Gospel/Contemporary Christian Music Performance: Recipients
Famous quotes containing the words award, gospel, contemporary, christian, music and/or performance:
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“This is the gospel of labour, ring it, ye bells of the kirk!
The Lord of Love came down from above, to live with the men who work.
This is the rose that He planted, here in the thorn-curst soil:
Heaven is blest with perfect rest, but the blessing of Earth is toil.”
—Henry Van Dyke (1852–1933)
“The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable in contemporary writing, can spring openly from some rotted substance within our civilization ...”
—Ellen Glasgow (1873–1945)
“You see few people here in America who really care very much about living a Christian life in a democratic world.”
—Clare Boothe Luce (1903–1987)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (1915–1980)