Graham Greene - Works

Works

  • The Man Within (1929)
  • The Name of Action (1930)
  • Rumour at Nightfall (1931)
  • Stamboul Train (1932)
  • It's a Battlefield (1934)
  • England Made Me (also published as The Shipwrecked) (1935)
  • A Gun for Sale (1936)
  • Brighton Rock (1938)
  • The Confidential Agent (1939)
  • The Power and the Glory (1940)
  • The Ministry of Fear (1943)
  • The Heart of the Matter (1948)
  • The Third Man (1949)
  • The End of the Affair (1951)
  • Twenty-One Stories (1954) (short stories)
  • Loser Takes All (1955)
  • The Quiet American (1955)
  • Our Man in Havana (1958)
  • A Burnt-Out Case (1960)
  • A Sense of Reality (1963) (short stories)
  • The Comedians (1966)
  • May We Borrow Your Husband? (1967) (short stories)
  • Travels with My Aunt (1969)
  • A Sort of Life (1971) (autobiography)
  • The Honorary Consul (1973)
  • The Human Factor (1978)
  • Doctor Fischer of Geneva (1980)
  • Ways of Escape (1980) (autobiography)
  • Monsignor Quixote (1982)
  • Getting to Know the General (1984) (nonfiction Panama memoir)
  • The Tenth Man (1985)
  • The Captain and the Enemy (1988)
  • The Last Word (1990) (short stories)
  • No Man's Land (2005)

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Famous quotes containing the word works:

    “The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
    —Henry David Thoreau (1817–1862)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)

    “The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
    —William James (1842–1910)