Style
Gottfried's rhetorical style is very distinct among his contemporaries. It is incredibly complex, marked by the extensive use of symmetrical structure in his organization of Tristan as a whole, as well as in the structure of individual passages. Gottfried also uses detailed word and sound patterns, playing with such things as rhyme, alliteration, and assonance. See Batts (1971) for a detailed analysis.
One of the greatest hallmarks of Gottfried's style is his skillful use of irony, to both humorous and tragic effects. He may also have relied on irony to disguise his criticisms of contemporary society in order to avoid censure.
Read more about this topic: Gottfried Von Strassburg
Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“Always, however brutal an age may actually have been, its style transmits its music only.”
—André Malraux (1901–1976)