Gothic Novels - The Romantics

The Romantics

Further contributions to the Gothic genre were provided in the work of the Romantic poets. Prominent examples include Coleridge's The Rime of the Ancient Mariner and Christabel and Keats' La Belle Dame sans Merci (1819) and Isabella, or the Pot of Basil (1820) which feature mysteriously fey ladies. In the latter poem the names of the characters, the dream visions and the macabre physical details are influenced by the novels of premiere Gothicist Anne Radcliffe. Percy Bysshe Shelley's first published work was the Gothic novel Zastrozzi (1810), about an outlaw obsessed with revenge against his father and half-brother. Shelley published a second Gothic novel in 1811, St. Irvyne; or, The Rosicrucian, about an alchemist who seeks to impart the secret of immortality.

The poetry, romantic adventures, and character of Lord Byron – characterised by his spurned lover Lady Caroline Lamb as 'mad, bad and dangerous to know' – were another inspiration for the Gothic, providing the archetype of the Byronic hero. Byron features, under the codename of 'Lord Ruthven', in Lady Caroline's own Gothic novel: Glenarvon (1816).

Byron was also the host of the celebrated ghost-story competition involving himself, Percy Bysshe Shelley, Mary Shelley, and John William Polidori at the Villa Diodati on the banks of Lake Geneva in the summer of 1816. This occasion was productive of both Mary Shelley's Frankenstein (1818) and Polidori's The Vampyre (1819). This latter story revives Lamb's Byronic 'Lord Ruthven', but this time as a vampire. The Vampyre has been accounted by cultural critic Christopher Frayling as one of the most influential works of fiction ever written and spawned a craze for vampire fiction and theatre (and latterly film) which has not ceased to this day. Mary Shelley's novel, though clearly influenced by the Gothic tradition, is often considered the first science fiction novel, despite the omission in the novel of any scientific explanation of the monster's animation and the focus instead on the moral issues and consequences of such a creation.

A late example of traditional Gothic is Melmoth the Wanderer (1820) by Charles Maturin, which combines themes of anti-Catholicism with an outcast Byronic hero.