Paris
While in the Navy, Onslow Ford visited Paris several times. In 1937, he resigned as a naval officer and moved to Paris to pursue painting full-time. He studied with André L’hote for five weeks and studied with Fernand Léger for a short time. He continued visiting Léger, bringing his work to him often for critique.
Soon he met the Chilean architect Roberto Matta. Matta, who was working with le Corbusier, was an accomplished draftsman and was making small drawings on the side. Onslow Ford, with his keen sense of seeing, admired Matta's drawings as "the most exciting images" he had seen in Paris. He encouraged Matta to continue with his drawings, which eventually inspired Matta to shift his direction from architecture to painting.
Onslow Ford and Matta became close friends, meeting and traveling frequently. They developed an ongoing dialogue about their ideas on art and metaphysics. They were also inspired by the 1937 exhibit of Mathematical Objects in Paris in which one aspect of the Mathematical Object was visible while another aspect was left to the imagination of the viewer.
In 1938, André Breton invited Onslow Ford to join the Surrealist group in Paris and attend their meetings in Café deux Magots. Onslow Ford then became friends with Pierre Mabille, André Breton, Yves Tanguy, Esteban Frances, Wolfgang Paalen, Max Ernst and Victor Brauner among others. His love of painting also led him to collect paintings and frequently visit the studios of Picasso, Miró, de Chirico and André Masson.
In the summer of 1939, Onslow Ford rented a chateau at Chemilleu near the border of Switzerland, and invited several of his friends to stay for a couple of months. Among the friends were André Breton, Jacqueline Lamba, Yves Tanguy, Roberto Matta, Esteban Frances and Kay Sage. They spent the summer painting, exchanging ideas and reading poetry. They were visited regularly by their friend and neighbor Gertrude Stein.
Read more about this topic: Gordon Onslow Ford
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—William Butler Yeats (18651939)
“Napoleon wanted to turn Paris into Rome under the Caesars, only with louder music and more marble. And it was done. His architects gave him the Arc de Triomphe and the Madeleine. His nephew Napoleon III wanted to turn Paris into Rome with Versailles piled on top, and it was done. His architects gave him the Paris Opera, an addition to the Louvre, and miles of new boulevards.”
—Tom Wolfe (b. 1931)
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—Ernest Hemingway (18991961)