Career
Over the next several years after her 1987 debut in Red Sorghum, Gong received international acclaim for her roles in several more Zhang Yimou films: She appeared in Ju Dou in 1990; Her performance in the Oscar-nominated Raise the Red Lantern put her in the international spotlight; In The Story of Qiu Ju, she was named Best Actress at the 1992 Venice Film Festival. These roles established her reputation, according to Asiaweek, as "one of the world's most glamorous movie stars and an elegant throwback to Hollywood's golden era." In many of her early movies, Gong Li represents a tragic victim and an abused soul (physically or emotionally), trying to release herself from an impossible maze of corruption, violence and suppression. In Raise the Red Lantern and Shanghai Triad an additional tragic element is added to her being as she unintentionally becomes the executioner of new innocent victims, making her realize that she has assisted the dark cynical system.
In June 1998, Gong Li became a recipient of France's Ordre des Arts et des Lettres. Two years later, she was invited by the Berlin Film Festival to be the president of its international jury at the festival's 50th anniversary (2001 February).
In 1993 she received a New York Film Critics Circle award for her role in Farewell My Concubine. Directed by Chen Kaige, the film was her first major role with a director other than Zhang Yimou. In the same year, she was awarded with the Berlinale Camera at the 43rd Berlin International Film Festival.
In 2006, Premiere Magazine ranked her performance in Farewell My Concubine as the 89th greatest performance of all time.
Gong Li was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO) on 16 October 2000.
Immune to political repercussions because of her fame, Gong Li began criticizing the censorship policy in China. Her films Farewell My Concubine and The Story of Qiu Ju were initially banned in China for being thinly-veiled critiques of the Chinese government. Regarding the sexual content in Ju Dou, Chinese censorship deemed the film "a bad influence on the physical and spiritual health of young people."
Despite her popularity, Gong avoided Hollywood for years, due to a lack of confidence in speaking English. She made her English speaking debut in 2005 when she starred as the beautiful but vindictive Hatsumomo in Memoirs of a Geisha. Her performance was met with generally positive reviews.
Her other English-language roles to date included Chinese Box in 1997, Miami Vice in 2006 and Hannibal Rising in 2007. In all three films, she learned her English lines phonetically. In 2010, She stated that she was becoming more selective with the Chinese language projects offered to her during a press junket for her upcoming film 'Shanghai'.
She narrated "Beijing" (2008), an audio walking tour by Louis Vuitton and Soundwalk, which won an Audie Award for best Original Work (2009).
In 2010, she starred in the World War Two-era thriller Shanghai about an American man, Paul Soames (played by John Cusack) who returns to a corrupt, Japanese-occupied Shanghai four months before Pearl Harbor and discovers his friend has been killed. In this film, Gong plays Anna Lan-Ting, the wife of triad boss Anthony Lan-Ting (played by Chow Yun-fat). Ken Watanabe co-stars as Japanese military intelligence officer Captain Tanaka.
Read more about this topic: Gong Li
Famous quotes containing the word career:
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“I seemed intent on making it as difficult for myself as possible to pursue my male career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my male pursuits.”
—Margaret S. Mahler (18971985)