Cultural Aspects
The gong ageng is central and fundamental to the gamelan orchestra. Similes between the gong ageng are made in relations to Indonesian, and particularly the Javanese and related Balinese society cultures. A very large (and expensive) gong ageng is often commissioned for prestigious state-sponsored projects. Two famous ones include the Surabaya Naval Dockyard statue (weighing over 2000 kg) and in the seaside resort of Ancol in Jakarta (approximate diameter 3 metres, weight several thousand kilogram). These two former gong ageng can be heard a distance of 20 kilometers out to sea.
On auspicious or important occasions a gong ageng is often struck, just as in Western society a ribbon may be cut or a champagne bottle smashed (commissioning of a building or ship, launching a project, finalizing a major business deal, and similar occasions).
In the houses of the wealthy, mainly Javanese aristocrat families of Jakarta, gong ageng are used to herald the arrival of guests. Less important guests are heralded by the kempul.
Read more about this topic: Gong Ageng
Famous quotes containing the words cultural and/or aspects:
“Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and superseded by elements of lower quality.”
—Johan Huizinga (1872–1945)
“Grammar is a tricky, inconsistent thing. Being the backbone of speech and writing, it should, we think, be eminently logical, make perfect sense, like the human skeleton. But, of course, the skeleton is arbitrary, too. Why twelve pairs of ribs rather than eleven or thirteen? Why thirty-two teeth? It has something to do with evolution and functionalism—but only sometimes, not always. So there are aspects of grammar that make good, logical sense, and others that do not.”
—John Simon (b. 1925)