Production
The film was originally written for King Kong (the project was tentatively titled Operation Robinson Crusoe:King Kong vs Ebirah), but Toho switched Kong with another popular character at the time, Godzilla. This explains why Godzilla displays uncharacteristic behavior in the film, such as drawing strength from electricity, his curiosity to Kumi Mizuno's character, and the usage of boulders to destroy the Red Bamboo Base. Toho would later use Kong for King Kong Escapes.
The US television version and early video versions have a different opening to the film. The opening scenes of Ryota at the Maritime Safety Agency searching for news of his brother have been replaced with a scene supposedly showing Ebirah destroying Yata's boat. This sequence was created by editing a later scene in the movie. The current DVD version of the film restores the Japanese cut.
In 1991, Godzilla vs. the Sea Monster was distributed under the Film Ventures International name. The company replaced the opening with a generic credit sequence, using footage from Son of Godzilla. This version was aired on Mystery Science Theater 3000.
Read more about this topic: Godzilla Vs. The Sea Monster
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)