Japanese Box Office and Critical Reception
When Godzilla was first released in 1954 the film sold approximately 9,610,000 tickets and was the eighth best-attended film in Japan that year. It remains the second most-attended "Godzilla" film in Japan, behind King Kong vs. Godzilla. Its box office earnings were 152 million Yen ($2.25 million).
The film initially received mixed to negative reviews in Japan. Japanese critics accused the film of exploiting the widespread devastation that the country had suffered in World War II, as well as the Daigo Fukuryū Maru (Lucky Dragon) incident that occurred a few months before filming began. Ishiro Honda lamented years later in the Tokyo Journal, "They called it grotesque junk, and said it looked like something you'd spit up. I felt sorry for my crew because they had worked so hard!". However as time went on, the film gained more respect in its home country. Kinema Junpo magazine listed Gojira as one of the top 20 Japanese films of all time, while a survey of 370 Japanese movie critics published in Nihon Eiga Besuto 159 (Best 150 Japanese Films), had Godzilla ranked as the 27th best Japanese film ever made.
The film was nominated for two Japanese Movie Association awards. One for best special effects and the other for best film. It won best special effects but lost best picture to Akira Kurosawa's Seven Samurai.
Read more about this topic: Godzilla (1954 film)
Famous quotes containing the words japanese, box, office, critical and/or reception:
“In fact, the whole of Japan is a pure invention. There is no such country, there are no such people.... The Japanese people are ... simply a mode of style, an exquisite fancy of art.”
—Oscar Wilde (18541900)
“All your lovely words are spoken.
Once the ivory box is broken,
Beats the golden bird no more.”
—Edna St. Vincent Millay (18921950)
“No people is wholly civilized where a distinction is drawn between stealing an office and stealing a purse.”
—Theodore Roosevelt (18581919)
“It would be easy ... to regard the whole of world 3 as timeless, as Plato suggested of his world of Forms or Ideas.... I propose a different viewone which, I have found, is surprisingly fruitful. I regard world 3 as being essentially the product of the human mind.... More precisely, I regard the world 3 of problems, theories, and critical arguments as one of the results of the evolution of human language, and as acting back on this evolution.”
—Karl Popper (19021994)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)