Criticism
The term was invented as a criticism of people who perceive that God only acts in the gaps, and who restrict God's activity to such "gaps". It has also been argued that the God-of-the-gaps view is predicated on the assumption that any event which can be explained by science automatically excludes God; that if God did not do something via direct action, God didn't do it at all. "God of the gaps" argument has been traditionally advanced by scholarly Christians, was intended as a criticism against weak or tenuous faith, not as a statement against theism or belief in God.
According to John Habgood in The Westminster Dictionary of Christian Theology, the phrase is generally derogatory, and is inherently a direct criticism of a tendency to postulate acts of God to explain phenomena for which science has yet to give a satisfactory account. Habgood also states:
"It is theologically more satisfactory to look for evidence of God's actions within natural processes rather than apart from them, in much the same way that the meaning of a book transcends, but is not independent of, the paper and ink of which it is comprised."
From a scientific viewpoint, God-of-the-gaps is viewed as the fallacy of claiming any gap in our scientific knowledge as evidence of God's action, as opposed to admitting that we do not currently have an answer or anticipating that, should an answer come, it will be a scientific one that leaves no role for God. In this vein, Richard Dawkins dedicates a chapter of his book, The God Delusion to criticism of the God-of-the-gaps fallacy.
Read more about this topic: God Of The Gaps
Famous quotes containing the word criticism:
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)