Theory
The explanation of Glories is still subject of debates and research. In 1947, the Dutch astronomer Hendrik van de Hulst suggested that surface waves are involved. He speculated that the colored rings of the glory are caused by two-ray interference between "short" and "long" path surface waves—which are generated by light rays entering the droplets at diametrically opposite points (both rays suffer one internal reflection). A new theory by Brazilian physicist Herch Moysés Nussenzveig, however, suggests that the light energy beamed back by a glory originates mostly from classical wave tunneling, which is when light rays that missed a droplet can still transfer energy into it.
Glories are often seen in association with a Brocken spectre, the apparently enormously magnified shadow of an observer, cast (when the Sun is low) on clouds below the mountain the viewer is standing on. The name derives from the Brocken, the tallest peak of the Harz mountain range in Germany. Because the peak is above the cloud level and the area frequently misty, conditions conducive to casting a shadow on a cloud layer are common. Giant shadows that seemed to move by themselves due to movement of the cloud layer (this movement is another part of the definition of the Brocken Spectre), and that were surrounded by optical glory halos, may have contributed to the reputation the Harz mountains hold as a refuge for witches and evil spirits. In Goethe's Faust, the Brocken is called the Blocksberg and is the site of the Witches' Sabbath on Walpurgis Night.
Read more about this topic: Glory (optical Phenomenon)
Famous quotes containing the word theory:
“A theory of the middle class: that it is not to be determined by its financial situation but rather by its relation to government. That is, one could shade down from an actual ruling or governing class to a class hopelessly out of relation to government, thinking of gov’t as beyond its control, of itself as wholly controlled by gov’t. Somewhere in between and in gradations is the group that has the sense that gov’t exists for it, and shapes its consciousness accordingly.”
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“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)
“It makes no sense to say what the objects of a theory are,
beyond saying how to interpret or reinterpret that theory in another.”
—Willard Van Orman Quine (b. 1908)