Production
Shot in four days, the film was loosely inspired by the sex reassignment surgery of Christine Jorgensen, which made national headlines in the U.S. in 1952. George Weiss, a Hollywood producer of low-budget films, commissioned a movie to exploit it. Originally Weiss made Jorgensen several offers to appear in the film, but these were turned down. Wood convinced Weiss that his own transvestism made him the perfect director despite his modest resume. Wood was given the job, but instead made a movie about transvestism.
Wood persuaded Lugosi, at the time poor and drug-addicted, to appear in the movie. Lugosi's scenes were shot at the Jack Miles Studios in Los Angeles. He was reportedly paid $5000 for the role, although some stories state the actual amount was only $1000.Lugosi is credited as "The Scientist", a character whose purpose is unclear. He acts as a sort of narrator but gives no narration relevant to the plot; that job is reserved for the film's primary narrator, Timothy Farrell.
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Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)