Mythology
The Tor has been associated with the name Avalon, and identified with King Arthur, since the alleged discovery of King Arthur and Queen Guinevere's neatly labelled coffins in 1191, recounted by Gerald of Wales. Modern archaeology has revealed several sub-Roman structures.
With the 19th-century resurgence of interest in Celtic mythology, the Tor became associated with Gwyn ap Nudd, who was first Lord of the Underworld, and later King of the Fairies. The Tor came to be represented as an entrance to Annwn or Avalon, the land of the fairies.
A persistent myth of more modern origin is that of the Glastonbury Zodiac, an astrological zodiac of gargantuan proportions said to have been carved into the land along ancient hedgerows and trackways. The theory was first put forward in 1927 by Katherine Maltwood, an artist with an interest in the occult, who thought the zodiac was constructed approximately 5,000 years ago. However, the vast majority of the land said to be covered by the zodiac was under several feet of water at the proposed time of its construction.
Christopher Hodapp asserts in his book The Templar Code For Dummies that Glastonbury Tor is one of the possible locations of the Holy Grail. This is because it is close to the location of the monastery that housed the Nanteos Cup.
Another speculation is that the Tor was reshaped into a spiral maze for use in religious ritual, incorporating the myth that the Tor was the location of the underworld king's spiral castle.
Read more about this topic: Glastonbury Tor
Famous quotes containing the word mythology:
“If science fiction is the mythology of modern technology, then its myth is tragic.”
—Ursula K. Le Guin (b. 1929)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)
“Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)