Interior
The entrance hall of the Chambers displays a mosaic of the city's coat of arms on the floor. The arms reflect legends about Glasgow's patron saint, Saint Mungo, and include four emblems - the bird, tree, bell, and fish - as remembered in the following verse:
- Here's the Bird that never flew
- Here's the Tree that never grew
- Here's the Bell that never rang
- Here's the Fish that never swam
An abstract tapestry hanging in the hall is intended to represent Glasgow's past and present.
Pillars of marble and granite give way to staircases of Carrara marble, freestone, and alabaster, and a ceiling decorated in gold leaf is topped by a stained glass dome.
The Councillor's Corridor, containing councillors' mailboxes and decorated in Italian faience, leads to the Committee Rooms, where formal business committees meet, and an impressive library.
The corridor also leads into the Council Chamber. This is where the Council meets formally, and is one of the most impressive rooms in the City Chambers, featuring rich Spanish mahogany panelling. There are seats for each of the 79 councillors, situated in a Hemicycle, all facing the Lord Provost (the Scottish equivalent of the lord mayor found in London and other cities), his Depute, and the Chief Executive, who are seated behind the mace. A public gallery looks down on the proceedings, and a small press gallery is located at the side.
The Lord Provost's main office is decorated in the same Venetian style as the rest of the building. Famous visitors, including the British Royal family have signed the visitor book here.
The municipal mace is kept in an ante-room leading to the Lord Provost's office. Part of the ritual of the Council's proceedings is that the mace is carried by the Council Officer when leading the Lord Provost into the Council Chamber to chair full council meetings. The mace is made from gold-plated silver, and was presented to the council in 1912.
Adjacent to the Council Chamber, there are three rooms used for civic functions and large meetings: the Satinwood Salon, Octagonal Room, and Mahogany Salon. These rooms are decorated in fine woods as their names imply, and also house a selection of fine paintings.
The grandest room in the Chambers is the Banqueting Hall. Its magnificence has impressed heads of state, and it has witnessed many different types of events, from formal civil ones to record launches, fashion shows, children's Christmas parties and private functions. Nelson Mandela received his Freedom of the City here in 1993.
The hall is 33.5 m long by 14.6 m wide and 15.8 m high. The carpet comes in three sections which are rotated regularly to prevent wear. The carpet design reflects the ornate pattern of the roof. Huge Glasgow School murals decorate the walls, depicting the granting of the city's charter, its history and culture, and the four main Scottish rivers. The hall's electric chandeliers, or "electroliers", were designed in 1885.
The daily tours of the Chambers conclude on the Upper Gallery on the third floor, which lets one see the detail on the beautiful dome visible from the other floors, as well as portraits of former Lord Provosts.
Read more about this topic: Glasgow City Chambers
Famous quotes containing the word interior:
“The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.”
—Blaise Pascal (1623–1662)
“Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?”
—Jessamyn West (1902–1984)
“Surely there must be some way to find a husband or, for that matter, merely an escort, without sacrificing one’s privacy, self-respect, and interior decorating scheme. For example, men could be imported from the developing countries, many parts of which are suffering from a man excess, at least in relation to local food supply.”
—Barbara Ehrenreich (b. 1941)