Works
Il Gattopardo follows the family of its title character, Sicilian nobleman Don Fabrizio Corbera, Prince of Salina, through the events of the Risorgimento. Perhaps the most memorable line in the book is spoken by Don Fabrizio's nephew, Tancredi, urging unsuccessfully that Don Fabrizio abandon his allegiance to the disintegrating Kingdom of the Two Sicilies and to ally himself with Giuseppe Garibaldi and the House of Savoy: "Unless we ourselves take a hand now, they'll foist a republic on us. If we want things to stay as they are, things will have to change."
The title is rendered in English as "The Leopard", but the Italian word gattopardo refers to the American ocelot or to the African serval. Il gattopardo may be a reference to a wildcat that was hunted to extinction in Italy in the mid-19th century – just as Don Fabrizio was dryly contemplating the indolence and decline of the Sicilian aristocracy.
The novel was criticized at the time of its first publication by some literary critics for its straightforward "old fashioned" realism, a type of Stendhalian or Tolstoyan realism that particularly irritated neo-realists such as Elio Vittorini and Alberto Moravia. However, the novel was very popular among so-called common readers, as well as with prestigious foreign intellectuals such as Louis Aragon and E. M. Forster. In 1963 Il Gattopardo was made into a film, directed by Luchino Visconti and starring Burt Lancaster, Alain Delon and Claudia Cardinale, and which won the Palme d'Or at the Cannes Film Festival.
Tomasi also wrote some lesser-known works: I racconti (Stories, first published 1961), Le lezioni su Stendhal (Lessons on Stendhal, privately published in 1959, published in book form in 1977), and Invito alle lettere francesi del Cinquecento (Introduction to sixteenth-century French literature, first published 1970). He also wrote "Joy and the Law", a piece of literature frequently studied in high schools today. In 2010, a collection of his letters were published in English as Letters from London and Europe. His perceptive commentaries on English and other foreign literatures make up a greater part of his works by volume than does his fiction.
The main-belt asteroid 14846 Lampedusa is named after him.
Read more about this topic: Giuseppe Tomasi Di Lampedusa
Famous quotes containing the word works:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)