The Paganini of The Double Bass
Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. Because of the contributions of Bottesini (along with those of Sperger and Dragonetti) to bass technique, many have come to view the double bass as a diverse and versatile instrument. Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass.
Bottesini's bass was said to be a unique instrument with a remarkable sound. It was built by Carlo Antonio Testore in 1716. The instrument was owned by several unknown bass players. It nearly met its end in the 1830s as it sat backstage in a marionette theater in Milan. Bottesini purchased the Testore in 1838 for 900 lire. The Testore bass was later converted back to a four-stringed instrument, and then to a three. Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan. Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass. This style was previously used solely by violinists, violists and cellists.
Read more about this topic: Giovanni Bottesini
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