Giorgio de Chirico - Selected Works

Selected Works

  • Flight of the Centauri, Enigma of an Autumn Afternoon and Enigma of the Oracle (1909)
  • Ritratto di Andrea de Chirico (Alias Alberto Savinio) (1909–1910)
  • Enigma of the Hour (1911)
  • Melanconia, The Enigma of the Arrival and La Matinée Angoissante (1912)
  • The Red Tower, Ariadne, The Awakening of Ariadne, The Uncertainty of the Poet, La Statua Silenziosa, The Anxious Journey, Melancholy of a Beautiful Day, Le Rêve Transformé, and Self-Portrait (1913)
  • The Anguish of Departure (begun in 1913), Portrait of Guillaume Apollinaire, The Nostalgia of the Poet, L'Énigme de la fatalité, Gare Montparnasse (The Melancholy of Departure), Love Song, The Enigma of a Day, The Philosopher’s Conquest, The Child's Brain, The Philosopher and the Poet, Still Life: Turin in Spring, Piazza d’Italia (Autumn Melancholy), The Nostalgia of the Infinite and Melancholy and Mystery of a Street (1914)
  • The Evil Genius of a King (begun in 1914), The Seer (or The Prophet), Piazza d’Italia, The Double Dream of Spring, The Purity of a Dream, Two Sisters (The Jewish Angel) and The Duo (1915)
  • Andromache, The Melancholy of Departure, The Disquieting Muses, Metaphysical Interior with Biscuits (1916)
  • Metaphysical Interior with Large Factory and The Faithful Servitor (both began in 1916), The Great Metaphysician, Ettore e Andromaca, Metaphysical Interior, Geometric Composition with Landscape and Factory and Great Metaphysical Interior (1917)
  • Metaphysical Muses and Hermetic Melancholy (1918)
  • Still Life with Salami and The Sacred Fish (1919)
  • Self-portrait (1920)
  • Italian Piazza, Maschere and Departure of the Argonauts (1921)
  • The Prodigal Son (1922)
  • Florentine Still Life (c. 1923)
  • The House with the Green Shutters (1924)
  • The Great Machine (1925) Honolulu Museum of Art
  • Au Bord de la Mer, Le Grand Automate, The Terrible Games, Mannequins on the Seashore and The Painter (1925)
  • La Commedia e la Tragedia (Commedia Romana), The Painter’s Family and Cupboards in a Valley (1926)
  • L’Esprit de Domination, The Eventuality of Destiny (Monumental Figures), Mobili nella valle and The Archaeologists (1927)
  • Temple et Forêt dans la Chambre (1928)
  • Gladiatori (began in 1927), The Archaeologists IV (from the series Metamorphosis), The return of the Prodigal son I (from the series Metamorphosis) and Bagnante (Ritratto di Raissa) (1929)
  • Illustrations from the book Calligrammes by Guillaume Apollinaire (1930)
  • I Gladiatori (Combattimento) (1931)
  • Milan Cathedral, 1932
  • Cavalos a Beira-Mar (1932–1933)
  • Cavalli in Riva al Mare (1934)
  • La Vasca di Bagni Misteriosi (1936)
  • The Vexations of The Thinker (1937)
  • Self-portrait (1935–1937)
  • Archeologi (1940)
  • Illustrations from the book L’Apocalisse (1941)
  • Portrait of Clarice Lispector (1945)
  • Villa Medici - Temple and Statue (1945)
  • Minerva (1947)
  • Metaphysical Interior with Workshop (1948)
  • Fiat (1950)
  • Piazza d’Italia (1952)
  • The Fall - Via Crucis (1947–54)
  • Venezia, Isola di San Giorgio (1955)
  • Salambò su un cavallo impennato (1956)
  • Metaphysical Interior with Biscuits (1958)
  • Piazza d’Italia (1962)
  • Cornipedes, (1963)
  • Manichino (1964)
  • Ettore e Andromaca (1966)
  • The Return of Ulysses, Interno Metafisico con Nudo Anatomico and Mysterious Baths - Flight Toward the Sea (1968)
  • Il rimorso di Oreste, La Biga Invincibile and Solitudine della Gente di Circo (1969)
  • Orfeo Trovatore Stanco, Intero Metafisico and Muse with Broken Column (1970)
  • Metaphysical Interior with Setting Sun (1971)
  • Sole sul cavalletto (1972)
  • Mobili e rocce in una stanza, La Mattina ai Bagni misteriosi, Piazza d'Italia con Statua Equestre, La mattina ai bagni misteriosi and Ettore e Andromaca (1973)
  • Pianto d’amore - Ettore e Andromaca and The Sailors’ Barracks (1974)

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    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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