Portrayals of Rogers
No films have been made about Ginger Rogers, possibly because her best-known co-star Fred Astaire stipulated in his will that no film representations of him were ever to be made.
- Likenesses of Astaire and Rogers, apparently painted over from the Cheek to Cheek dance in Top Hat, are in the "Lucy in the Sky With Diamonds" section of The Beatles film Yellow Submarine (1968).
- Rogers' image is one of many famous women's images of the 1930s and 40s featured on the bedroom wall in the Anne Frank House in Amsterdam, a gallery of magazine cuttings pasted on the wall created by Anne and her sister Margot while hiding from the Nazis. When the house became a museum, the gallery the Frank sisters created was preserved under glass. Rogers' image is one of the larger and more prominent, which clearly indicates her global and mass appeal amongst the youth of the time.
- A musical about the life of Rogers, entitled Backwards in High Heels, premiered in Florida in early 2007.
- Rogers was the heroine of a novel, Ginger Rogers and the Riddle of the Scarlet Cloak (1942, by Lela E. Rogers), in which "the heroine has the same name and appearance as the famous actress but has no connection ... it is as though the famous actress has stepped into an alternate reality in which she is an ordinary person." It is part of a series known as "Whitman Authorized Editions", 16 books published between 1941–1947 that featured a film actress as heroine.
- The Dancing House in Prague (Czech: Tancici dum), sometimes known as Ginger and Fred, was designed by American architect Frank Geary and inspired by the dancing of Astaire and Rogers.
- In the 1981 film "Pennies From Heaven", Bernadette Peters dances with Steve Martin in a scene which uses Fred and Ginger's "Let's Face the Music and Dance" sequence (from 1936's Follow the Fleet) as it's inspiration.
Read more about this topic: Ginger Rogers
Famous quotes containing the words portrayals of, portrayals and/or rogers:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“It is our continuing love for our children that makes us want them to become all they can be, and their continuing love for us that helps them accept healthy discipline—from us and eventually from themselves.”
—Fred Rogers (20th century)