Musical Style
Welch and Rawlings incorporate elements of early twentieth century music such as old time, classic country, gospel and traditional bluegrass with modern elements of rhythm and blues, rock 'n' roll, jazz, and punk rock. The New Yorker's Alec Wilkinson maintained their musical style is "not easily classified—it is at once innovative and obliquely reminiscent of past rural forms".
The instrumentation on their songs is usually a simple arrangement, with Welch and Rawlings accompanying their own vocals with acoustic guitars, banjos, or a mandolin. Welch plays rhythm guitar with a 1956 Gibson J-50 (or banjo), while Rawlings plays lead on a 1935 Epiphone Olympic Guitar. The New Yorker's Wilkinson described Rawlings as a "strikingly inventive guitarist" who plays solos that are "daring melodic leaps". A review in No Depression by Andy Moore observed that "he doesn't play his big, coffee-colored, hollow body Gibson so much as he squeezes, strokes, chokes and does just about everything but blow into it". Jamie Cowperthwait of Rolling Stone wrote that Rawlings' guitar playing "makes the music swell and vibrate at all the right moments."
Read more about this topic: Gillian Welch
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