Works
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Work | Place | Date | Notes |
---|---|---|---|
St Botolph's Church | Carlton-in-Cleveland, Yorkshire | 1896–97 | designed by Temple Moore with Scott as clerk of works |
Liverpool Cathedral | Liverpool | 1903–1960 | completed posthumously in 1978 |
Nanfans (private house) | Prestwood, Buckinghamshire | 1903 | |
Chapel in London Road | Harrow, London | 1905–06 | |
Church of the Annunciation (RC) | Bournemouth, Dorset | 1906 | |
Church of the Holy Ghost | Midsomer Norton, Somerset | 1907–1913 | conversion of a tithe barn for use as a church |
Nave seating, All Saints' Church | Bubwith, Yorkshire | 1909 | |
East window, St Giles's Church | Burnby, Yorkshire | 1909 | |
Our Lady Star of the Sea and St Maughold Church (RC) | Ramsey, Isle of Man | 1909–12 | |
Nave, St Mary's Church | Bury, Lancashire | c. 1910 | |
St Joseph's Church (RC) | Sheringham, Norfolk | 1910–1936 | |
Chester Cathedral, restoration | Chester, Cheshire | 1911–13 | cloisters, east window of refectory, rood in the crossing |
Chancel of All Hallows' Church | Gospel Oak, London | 1913–15 | |
Church of Our Lady of the Assumption (RC) | Northfleet, Kent | 1913–16 | |
Lady Chapel reredos, St Michael's Church (RC) | Elswick, Newcastle upon Tyne | 1914 | |
Rood Beam, St Deiniol's Church | Hawarden, Flintshire | 1915–16 | |
St Paul's Church, Stoneycroft | Liverpool | 1916 | |
129 Grosvenor Road | London | c. 1918 | loggia, private house for Arthur Stanley |
Chancel, St Catherine's Church | Pontypridd, Glamorgan | 1919 | |
War memorial | Hanmer, Flintshire | 1919 | |
War memorial | Hawarden, Flintshire | 1919–20 | |
War memorial, St Saviour's Church | Oxton, Birkenhead, Cheshire | 1920 | |
War memorial cross, Our Lady of Victories Church (RC) | Clapham, London | 1920 | |
Alterations to south chancel chapel, Church of St Mary Abbot | Kensington, London | 1920–21 | |
War Memorial Chapel Church of St Michael, Chester Square | Belgravia, London | 1920–21 | |
Rectory War memorial tablet and northern aisle screen, Holy Trinity Church | Trefnant, Denbighshire | 1921 | |
New church, Ampleforth Abbey | Gilling East, Yorkshire | 1922 | not completed until 1961 |
Extensions to Junior House, Ampleforth College | Gilling East, Yorkshire | 1920s -1930s | |
Memorial Court, Clare College | Cambridge | 1923–34 | |
Nave and monument to Abbot Ramsay | Downside Abbey, Somerset | c. 1923–25 | |
K2 Red telephone box | 1924 | ||
Reconstruction of St George's Church | Kidderminster, Worcestershire | after 1924 | |
War memorial, All Saints' Church | Wigan, Lancashire | 1925 | |
Our Lady and St Alphege Church (RC) | Bath, Somerset | c. 1927 | |
Church of St Alban and St Michael | Golders Green, London | 1925 | built 1932–33 |
Chester House, Clarendon Place | Paddington, London | 1925–26 | his own home |
Charterhouse School chapel | Godalming, Surrey | 1922; completed and consecrated 1927 | the largest war memorial in England |
War memorial (Market Square), and municipal roll of honour in the Harris Museum | Preston, Lancashire | 1923–27; completed and unveiled 1927 | |
All Saints' Church | Wallasey, Cheshire | 1927–39 | uncompleted |
Church of St Michael | Ashford, Surrey | 1928 | uncompleted |
Memorial Chapel Bromsgrove School | Bromsgrove, Worcestershire | 1928–39 | |
Continuation of the north range, St Swithun's Buildings, Magdalen College | Oxford | 1928–30 | |
William Booth Memorial Training College | Camberwell, London | 1929 | |
St Ninian's Church (RC) | Restalrig, Edinburgh | 1929 | uncompleted |
Church of Our Lady and St Alphege | Oldfield Park, Bath | 1929 | |
St Francis of Assisi Church | High Wycombe, Buckinghamshire | 1929–30 | |
Whitelands College | Wandsworth | 1929–31 | |
Plinth for statue of Sir Joshua Reynolds Burlington House | Piccadilly, London | 1929–31 | |
Battersea Power Station | London | 1929–35 | consultant on exteriors |
North East Tower, Our Lady of Grace and St Edward Church (RC) | Chiswick, London | 1930 | |
K3 Red telephone box | 1930 | ||
Phoenix Theatre Charing Cross Road | London | 1930 | with Bertie Crewe |
Altar, St Augustine's | Kilburn, London | 1930 | |
St Columba's Cathedral | Oban, Argyll | 1930–53 | |
Cropthorne Court private residences) | Maida Vale, London | 1930–37 | |
Apse and north tower, Church of Our Lady Star of the Sea (RC) | Broadstairs, Kent | 1930–31 | |
Classroom range, Gilling Castle | Gilling East, Yorkshire | after 1930 | |
St Andrew's Church | Luton | 1931–32 | |
Chapel and college buildings, Lady Margaret Hall | Oxford | 1931 | |
New University Library | Cambridge | 1931–34 | |
Whitelands College, West Hill | Putney, London | 1931 | |
Vincent House, Vincent Square | Westminster | 1932 | consultant |
Clergy House for St Francis of Assisi Church | High Wycombe, Buckinghamshire | 1933 | |
Guinness Brewery | Park Royal, London | 1933–35 | demolished 2006 |
Buildings in north court, Trinity Hall | Cambridge | 1934 | |
Font Church of St Michael, Chester Square | Belgravia, London | 1934 | |
Additions to St Joseph's Church (RC) | Sheringham, Norfolk | 1934 | |
Restoration of St Etheldreda's Church (RC), Ely Place | Holborn, London | 1935 | |
Fountains House, Park Lane | London | 1935–38 | consultant |
K6 red telephone box | 1935 | ||
Main Building, University of Southampton | Southampton, Hampshire | 1935 | in association with Gutteridge and Gutteridge |
Private house, 22 Weymouth Street | Marylebone, London | 1936 | |
New Bodleian Library | Oxford | 1937–40 | |
Alterations to barn at Denham Golf Club | Denham, Buckinghamshire | 1938 | |
St Anne's College | Oxford | 1938 | |
High pedestal for King George V monument, Old Palace Yard | Westminster | 1939 | |
North and South Blocks, County Hall | London | 1939 and 1950–58 | |
Waterloo Bridge | London | 1937–40 | |
Kepier power station | Durham | 1940s | never built |
Chamber of the House of Commons | Westminster | 1945–50 | |
War memorial, St John the Baptist Church | Penshurst, Kent | 1947 | |
Forth Road Bridge | Edinburgh | 1947 | consultant |
Bankside Power Station | London | 1947, constructed 1957–60 | now Tate Modern art gallery |
Extension to St Anne's College | Oxford | 1949–51 | |
Rye House Power Station | Hoddesdon, Hertfordshire | c. 1952 | demolished early 1990s |
St Leonard's Church | St Leonards-on-Sea, Sussex | 1953–61 | with his brother Adrian |
Roof for the bomb-damaged Guildhall | City of London | 1953–54 | |
Extension at Clare Memorial Court Clare College | Cambridge | 1953–55 | |
Our Lady of Mount Carmel Church (RC) | Kensington, London | 1954–59 | |
St Anthony's Church (RC) | Preston, Lancashire | 1954–59 | |
Offices for the City of London Corporation Guildhall | City of London | 1955–58 | alterations and refurbishment proposed |
Chapel of Trinity College | Toronto, Canada | 1955 | |
North Tees Power Station | Billingham, County Durham | 1950s | demolished |
St Mark's Church | Biggin Hill, Kent | 1957–59 | |
Church of Christ the King (RC) | Plymouth, Devon | 1961–62 | built posthumously |
Read more about this topic: Giles Gilbert Scott
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour daywho works at a job and then takes on a second shift with the kids every nightis much more likely to adopt the survivors motto: If it works, Ill use it. From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just dont get it.”
—Ron Taffel (20th century)
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (18651939)