Design
The SG generally has a solid mahogany body, with a black "bat-wing" pickguard. The 24.75" scale mahogany neck joins the body at the 19th fret. The SG's set neck is shallower than the Gibson Les Paul's, but features the traditional Gibson combination of two humbucker pickups and a Tune-o-matic bridge assembly (or vibrato tailpiece, depending on the model).
The SG Standard features pearl trapezoid fretboard inlays, as well as fretboard binding and inlaid "Gibson" logo; the SG Special omits these features, instead using cheaper white dot inlays and a silk-screened logo. The Standard has a volume and a tone control for each individual pickup, and a three-way switch that allows the player to select either the bridge pickup, the neck pickup, or both together. The SG does not include switching to coil tap the humbuckers in stock form (with the exception of the Guitar Center-exclusive SG Standard), although this is a popular player modification (now available in some models).
Some models use body woods other than mahogany; examples include the Swamp Ash SG Special and SG Voodoo, the 2009 Raw Power, and some walnut bodied 1970s models. High-end models occasionally sport decorative maple caps, carved tops, and gold hardware.
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“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)
“I begin with a design for a hearse.
For Christ’s sake not black—
nor white either—and not polished!
Let it be weathered—like a farm wagon—”
—William Carlos Williams (1883–1963)