Gianni Agnelli - Style

Style

Agnelli’s fashion sense stood out, even in a country like Italy, where dressing well and fashionably is generally perceived as very important. His style has inspired and influenced menswear throughout the years, in Italy and around the world. In his retirement speech, Milanese fashion designer Nino Cerruti named Agnelli as one of his biggest inspirations, amongst James Bond and John F. Kennedy. Esquire Magazine named Agnelli as one of five best dressed men in the history of the World.

Agnelli’s dress style was a combination of a foundation of classic suits, combined with eye-catching personal tricks. He had a large number of bespoke Caraceni suits, which were of very high quality and classic design, and yet had the signature Italian bravura. It was the accessories and the way they were worn that made Agnelli stand out as a fashionisto. He is known for wearing his wristwatch over his cuff, wearing his tie askew or wearing (fashionable) high brown hiking boots under a bespoke suit. All these tricks were carefully chosen in order to convey sprezzatura, the Italian art of making the difficult look easy. His outfits were scrupulously chosen to the last detail, yet the accessory choices appeared as errors, making it look as if he did not care or make an effort about the way he was dressed.

Apart from his dress sense, Agnelli’s homes were work of designers and looked like studies in elegant living. Additionally, he was interested in sailing, fast cars, Cresta tobogganing, skiing and horses. His grandsons and heirs to Fiat, John and Lapo Elkann, seem to have adopted their grandfather’s tradition of dressing, as they are both often observed dressed classically and flamboyantly at high-society venues.

Agnelli's nickname of "The Rake of the Riviera", inspired the classical menswear magazine The Rake.

Read more about this topic:  Gianni Agnelli

Famous quotes containing the word style:

    Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.
    Alexander Theroux (b. 1940)

    To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
    Paul Goodman (1911–1972)

    I am so tired of taking to others
    translating my life for the deaf, the blind,
    the “I really want to know what your life is like without giving up any of my privileges
    to live it” white women
    the “I want to live my white life with Third World women’s style and keep my skin
    class privileges” dykes
    Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)