Marble Portraiture
Bernini also revolutionized marble busts, lending glamorous dynamism and animation to the stony stillness of portraiture. Starting with the immediate pose, leaning out of the frame, of bust of Monsignor Pedro de Foix Montoya at Santa Maria di Monserrato, Rome. The once-gregarious Cardinal Scipione Borghese, in his bust is frozen in conversation.
His most famous portrait is that of Costanza Bonarelli (c. 1637). It does not portray divinity or royalty, but a woman in a moment of disheveled privacy. Bernini had an affair with Costanza, who was the wife of one of Bernini's assistants. When Bernini suspected Costanza to be involved with his brother, he badly beat him and ordered a servant to slash her face with a razor. Pope Urban VIII intervened on his behalf and he was fined.
Bernini also gained royal commissions from outside Italy, for subjects such as Louis XIV, Cardinal Richelieu, Francesco I d'Este, Charles I of England and Henrietta Maria. The last two were produced in Italy from portraits made by Van Dyck (now in the royal collection), though Bernini preferred to produce portraits from life – the bust of Charles was lost in the Whitehall Palace fire of 1698 and that of Henrietta Maria was not undertaken due to the outbreak of the English Civil War.
Read more about this topic: Gian Lorenzo Bernini
Famous quotes containing the word marble:
“My eye-balls are glass,
my limbs marble,
my face fixed
in its marble mask.”
—Hilda Doolittle (1886–1961)