Works
Puccini also wrote orchestral pieces, sacred music, chamber music and songs for voice and piano, most notably his 1880 mass Messa di gloria and his 1890 string quartet Crisantemi. However, he is primarily known for his operas:
- Le Villi, libretto by Ferdinando Fontana (in one act – premiered at the Teatro Dal Verme, 31 May 1884)
- Edgar, libretto by Ferdinando Fontana (in four acts – premiered at La Scala, 21 April 1889)
- Manon Lescaut, libretto by Luigi Illica, Marco Praga and Domenico Oliva (premiered at the Teatro Regio, 1 February 1893)
- La bohème, libretto by Luigi Illica and Giuseppe Giacosa (premiered at the Teatro Regio of Torino, 1 February 1896)
- Tosca, libretto by Luigi Illica and Giuseppe Giacosa (premiered at the Teatro Costanzi, 14 January 1900)
- Madama Butterfly, libretto by Luigi Illica and Giuseppe Giacosa (in two acts – premiered at La Scala, 17 February 1904)
- La fanciulla del West, libretto by Guelfo Civinini and Carlo Zangarini (premiered at the Metropolitan Opera, 10 December 1910)
- La rondine, libretto by Giuseppe Adami (premiered at the Opéra of Monte Carlo, 27 March 1917)
- Il trittico (premiered at the Metropolitan Opera, 14 December 1918)
- Il tabarro, libretto by Giuseppe Adami
- Suor Angelica, libretto by Giovacchino Forzano
- Gianni Schicchi, libretto by Giovacchino Forzano
- Turandot, libretto by Renato Simoni and Giuseppe Adami (incomplete at the time of Puccini's death, completed by Franco Alfano: premiered at La Scala, 25 April 1926
Read more about this topic: Giacomo Puccini
Famous quotes containing the word works:
“I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.”
—Richard Cobden (1804–1865)
“The family that perseveres in good works will surely have an abundance of blessings.”
—Chinese proverb.
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)