Later Works
Puccini completed La fanciulla del West, based on a play by David Belasco, in 1910. This was commissioned by, and first performed at, the Metropolitan Opera in New York on 10 December 1910 with Met stars Enrico Caruso and Emmy Destinn for whom Puccini created the leading roles of Dick Johnson and Minnie. Toscanini, then the musical director of the Met, conducted. This was the first world premiere of an opera at the Met. The premiere was a great success. However, the compositional style employed in the opera, with few stand-alone arias, was criticized at the time and remains a barrier to the opera's complete acceptance into the standard repertoire. Some contemporaries also criticized the opera for failing to achieve an "American" tone. However, the opera has been acclaimed for its incorporation of advanced harmonic language and rhythmic complexity into the Italian operatic form. In addition, one aria from the opera, Ch'ella mi creda, has become a staple of compilation albums by operatic tenors. It is said that during World War I, Italian soldiers sang this aria to maintain their spirits.
Puccini completed the score of La rondine, to a libretto by Giuseppe Adami in 1916 after two years of work, and it was premiered at the Grand Théâtre de Monte Carlo on 27 March 1917. The opera had been originally commissioned by Vienna's Carltheater; however the outbreak of World War I prevented the premiere being given there. Moreover, the firm of Ricordi had declined the score of the opera, which had been taken up by their rival, Lorenzo Sonzogno, who arranged the first performance in neutral Monaco. The least known of Puccini's mature operas, the composer continued to work at revising it until his death.
In 1918, Il trittico premiered in New York. This work is composed of three one-act operas: a horrific episode (Il tabarro), in the style of the Parisian Grand Guignol, a sentimental tragedy (Suor Angelica), and a comedy (Gianni Schicchi). Of the three, Gianni Schicchi, containing the popular aria "O mio babbino caro", has remained popular.
Turandot, Puccini's final opera, was left unfinished, and the last two scenes were completed by Franco Alfano based on the composer's sketches. The libretto for Turdanot was based on a play by Carlo Gozzi, also called Turandot. The music of the opera is heavily inflected with pentatonic motifs, intended to produce an Asiatic flavor to the music. Unlike La Fanciulla, Turandot contains a number of memorable stand-alone arias, among them Nessun dorma.
Read more about this topic: Giacomo Puccini
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