Career
A roommate of Wu-Tang founder The RZA, Ghostface helped bring together the other seven members, and would function as executive producer on all the Wu-Tang Clan releases, including various solo projects.
In 1995, Ghostface guest-starred extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx..., appearing on almost every song. He also contributed songs to the Sunset Park and Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue to feature this stylistic trait.
Ghostface became well known for both his up-tempo, stream-of-consciousness rap and, later in his career, for his emotionally charged raps and smooth constant flow. In 1996, he discovered that he was diabetic, a condition that would weaken his health. According to "Trials of Life", a 2007 song with fellow New York rapper Prodigy (himself a sickle-cell anaemic), Ghostface assumed he had been stricken by a sexually transmitted disease until he received the diabetes diagnosis.
Ghostface was incarcerated for attempted robbery in 1999, a situation that was never publicly commented on by the Wu-Tang Clan or Ghostface (the charge dated from 1995). It would lead to a delay in his next album in 2000 with his follow-up to Ironman, Supreme Clientele. The album was well received by critics and was placed #2 on Hip Hop Connection's list of "The 100 Greatest Rap Albums 1995-2005". It included "Apollo Kids", a popular single which featured Raekwon and had a sample of "Cool Breeze" by Solomon Burke. "Cherchez LaGhost", another single off the album, became a minor club hit. The album also notably included the sentimental "Child's Play" which brought numerous comparisons to Slick Rick. Supreme Clientele would be a turning point in RZA's influence on his sound, as only six songs are produced by the RZA, compared to Iron Man, its predecessor where every song but one is produced by him. Though he contributed fewer beats to the project, RZA personally oversaw the mixing and production of the album as a whole, contributing to Supreme Clientele's unified sound
Ghostface wasted little time in recording his next album, the heavily R&B-influenced Bulletproof Wallets, released a year after Supreme Clientele. Its feature single, Never Be the Same Again, featured Carl Thomas and Raekwon. He had another minor club hit with Flowers, which featured guest vocals from fellow Wu-Tang members Method Man and Raekwon, and a popular single Ghost Showers which featured Madame Majestic, who also sung on the popular Wu-Tang track Gravel Pit. It was well received, but never really matched its predecessor in popularity or renown.
Read more about this topic: Ghostface Killah
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)