Gerry Adams - Published Works

Published Works

  • Falls Memories, 1982
  • The Politics of Irish Freedom, 1986
  • A Pathway to Peace, 1988
  • An Irish Voice
  • Cage Eleven, 1990, Brandon Books, ISBN 978-0-86322-114-9
  • The Street and Other Stories, 1993, Brandon Books, ISBN 978-0-86322-293-1
  • Free Ireland: Towards a Lasting Peace, 1995
  • Before the Dawn, 1996, Brandon Books, ISBN 978-0-434-00341-9
  • Selected Writings
  • Who Fears to Speak...?, 2001(Original Edition 1991), Beyond the Pale Publications, ISBN 978-1-900960-13-7
  • An Irish Journal, 2001, Brandon Books, ISBN 978-0-86322-282-5
  • Hope and History, 2003, Brandon Books, ISBN 978-0-86322-330-3
  • A Farther Shore, 2005, Random House
  • "The New Ireland: A Vision For The Future", 2005, Brandon Books, ISBN 978-0-86322-344-0
  • An Irish Eye, 2007, Brandon Books, ISBN 978-0-86322-370-9

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Famous quotes containing the words published works, published and/or works:

    “Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
    —Alexander Solzhenitsyn (b. 1918)

    “Until the Women’s Movement, it was commonplace to be told by an editor that he’d like to publish more of my poems, but he’d already published one by a woman that month ... this attitude was the rule rather than the exception, until the mid-sixties. Highest compliment was to be told, “You write like a man.””
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    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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