German Rock - Medieval Metal

Medieval Metal

Medieval metal or medieval rock is a subgenre of folk metal that blends hard rock or heavy metal music with medieval folk music. Medieval metal is mostly restricted to Germany where it is known as Mittelalter-Metal or Mittelalter-Rock. The genre emerged from the middle of the 1990s with contributions from Subway to Sally, In Extremo and Schandmaul. The style is characterised by the prominent use of a wide variety of traditional folk and medieval instruments.

World rock
  • Albania
  • Argentina
  • Armenia
  • Australia
  • Bangladesh
  • Belarus
  • Belgium
  • Bosnia and Herzegovina
  • Brazil
  • Canada
  • Chile
  • China
  • Colombia
  • Costa Rica
  • Croatia
  • Cuba
  • Denmark
  • Dominican Republic
  • Estonia
  • Finland
  • France
  • Germany
  • Greece
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Ireland
  • Israel
  • Italy
  • Japan
  • Korea
  • Latvia
  • Lithuania
  • Malaysia
  • Mexico
  • Nepal
  • Netherlands
  • New Zealand
  • Norway
  • Pakistan
  • Peru
  • Philippines (Visayas)
  • Poland
  • Portugal
  • Romania
  • Russia (Tatarstan)
  • Serbia
  • Slovenia
  • Spain
  • Sweden
  • Switzerland
  • Taiwan
  • Thailand
  • Turkey
  • Ukraine
  • United Kingdom
  • United States
  • Uruguay
  • Venezuela
  • Yugoslavia
  • Zambia
  • Category: Rock music
  • Portal: Rock music

Read more about this topic:  German Rock

Famous quotes containing the words medieval and/or metal:

    Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.
    Philippe Ariés (20th century)

    And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.
    Angela Carter (1940–1992)