German Art - Prehistory To Late Antiquity

Prehistory To Late Antiquity

The area of modern Germany is rich in finds of prehistoric art, including the Venus of Hohle Fels. This appears to be the oldest undisputed example of Upper Paleolithic art and figurative sculpture of the human form in general, from over 35,000 years BP, which was only discovered in 2008; the better-known Venus of Willendorf (24–22,000 BP) comes from a little way over the Austrian border. The spectacular finds of Bronze Age golden hats are centred on Germany, as was the "central" form of Urnfield culture, and Hallstatt culture. In the Iron Age the "Celtic" La Tène culture centred on Western Germany and Eastern France, and Germany has produced many major finds of Celtic art like the elite burials at Reinheim and Hochdorf, and oppida towns like Glauberg, Manching and Heuneburg.

After lengthy wars, the Roman Empire settled its frontiers in Germania with the Limes Germanicus to include much of the south and west of modern Germany. The German provinces produced art in provincial versions of Roman styles, but centres there, as over the Rhine in France, were large-scale producers of fine Ancient Roman pottery, exported all over the Empire. Rheinzabern was one of the largest, which has been well-excavated and has a dedicated museum.

Non-Romanized areas of the later Roman period fall under Migration Period art, notable for metalwork, especially jewellery (the largest pieces apparently mainly worn by men).

Read more about this topic:  German Art

Famous quotes containing the words late and/or antiquity:

    So was produced this tragedy
    In a far tower of ivory
    Where, O young men, late in the night
    All you who drink light and stroke the air
    Come back, seeking the night, and cry
    To strict Rapunzel to let down her hair.
    Allen Tate (1899–1979)

    The convent, which belongs to the West as it does to the East, to antiquity as it does to the present time, to Buddhism and Muhammadanism as it does to Christianity, is one of the optical devices whereby man gains a glimpse of infinity.
    Victor Hugo (1802–1885)