Gerard Reve - Themes

Themes

He often insisted that homosexuality was merely a motif (providing idiom — as Roman Catholicism based phrases would differ from e.g. Buddhist wording — and, over time, idiosyncratic Reve-slang) in his work, the deeper theme being the inadequacy of human love (as opposed to divine love). Since the publication of "Op weg naar het einde" (Towards the end) (1963) and "Nader tot U" (Nearer to Thee) (1966), marking his breakthrough to a large audience, he articulated his views on God's creation and human fate, especially in the many collections of letters that he published.

These writings stress a symbolic, rather than ("...only the blind...") literal, understanding of religious texts as the only intellectually acceptable one, and the irrelevance of the Gospel's historical truth. Religion, according to Reve, has nothing to do with the literal, the factual, the moral or the political. It has no quarrel with modern science, because religious truths and empirical facts are in different realms. The observable world has no meaning beyond comparing facts, and, while revelation may not make sense, it has meaning, and it is this meaning that Reve was after in everything he wrote. Philosophically, Reve was influenced by Arthur Schopenhauer, whose works he re-read every winter, and even more so by Carl Jung, according to a Dutch painter who spent some time with the author in France to paint several portraits of him.

Reve's erotic prose deals partly with his own sexuality, but aims at something more universal. Reve's work often depicts sexuality as ritual. Many scenes bear a sado-masochistic character, but this is never meant as an end in itself. 'Revism', a term coined by him, can roughly be described as consecrating sexual acts of punishment, dedicating these acts to revered others, and, ultimately, to higher entities (God). This is again a quest for higher significance in a human act (sex) that is devoid of meaning in its material form.