Georges Feydeau - Works

Works

Name Year Other/Translated Names
Eglantine d’Amboise 1873
Par la fenêtre 1882 "Through the Window"
Amour et Piano 1883 "Love and Piano"
Gibier de potence "Fair Game"
Fiancés en herbe 1886
Tailleur pour dames "Ladies' Dressmaker"
La Lycéenne 1887 "The Schoolgirl"
Un bain de ménage 1888
Chat en poche "Pig in a poke"
Les Fiancés de Loches
L’Affaire Édouard 1889
C’est une femme du monde ! 1890 "She is a woman of the world!"
Le Mariage de Barillon "The Marriage of Barillon"
Monsieur chasse ! 1892
Champignol malgré lui "Champignol in Spite of Himself"
Le Système Ribadier "Where there's a will", "Every trick in the book"
Un fil à la patte 1894 "Cat Among the Pigeons", "Get Out of My Hair!"
Notre futur "Our future"
Le Ruban "The Ribbon"
L'Hôtel du libre échange "Free Exchange Hotel"
Le Dindon 1896 "Sauce for the Goose"
Les Pavés de l’ours "A Rough Diamond", "The Boor Hug"
Séance de nuit 1897
Dormez, je le veux !
La Dame de chez Maxim 1899 "The Girl from Maxim's"
La Duchesse des Folies-Bergères 1902
La Main passe 1904
L'Âge d'or 1905
Le Bourgeon 1906
La Puce à l'oreille 1907 "A Flea in Her Ear"
Occupe-toi d'Amélie 1908
Feu la mère de madame
Le Circuit 1909
On purge bébé 1910
Mais n'te promène donc pas toute nue ! 1911
Léonie est en avance ou le Mal joli
Cent Millions qui tombent (unfinished)
On va faire la cocotte (unfinished) 1913
Je ne trompe pas mon mari 1914
Hortense a dit : "Je m'en fous!" 1916 "Hortense says, 'I don't give a damn!'"

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Famous quotes containing the word works:

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
    Jane Jacobs (b. 1916)

    His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.
    Henry David Thoreau (1817–1862)