Works
| Name | Year | Other/Translated Names |
|---|---|---|
| Eglantine d’Amboise | 1873 | |
| Par la fenêtre | 1882 | "Through the Window" |
| Amour et Piano | 1883 | "Love and Piano" |
| Gibier de potence | "Fair Game" | |
| Fiancés en herbe | 1886 | |
| Tailleur pour dames | "Ladies' Dressmaker" | |
| La Lycéenne | 1887 | "The Schoolgirl" |
| Un bain de ménage | 1888 | |
| Chat en poche | "Pig in a poke" | |
| Les Fiancés de Loches | ||
| L’Affaire Édouard | 1889 | |
| C’est une femme du monde ! | 1890 | "She is a woman of the world!" |
| Le Mariage de Barillon | "The Marriage of Barillon" | |
| Monsieur chasse ! | 1892 | |
| Champignol malgré lui | "Champignol in Spite of Himself" | |
| Le Système Ribadier | "Where there's a will", "Every trick in the book" | |
| Un fil à la patte | 1894 | "Cat Among the Pigeons", "Get Out of My Hair!" |
| Notre futur | "Our future" | |
| Le Ruban | "The Ribbon" | |
| L'Hôtel du libre échange | "Free Exchange Hotel" | |
| Le Dindon | 1896 | "Sauce for the Goose" |
| Les Pavés de l’ours | "A Rough Diamond", "The Boor Hug" | |
| Séance de nuit | 1897 | |
| Dormez, je le veux ! | ||
| La Dame de chez Maxim | 1899 | "The Girl from Maxim's" |
| La Duchesse des Folies-Bergères | 1902 | |
| La Main passe | 1904 | |
| L'Âge d'or | 1905 | |
| Le Bourgeon | 1906 | |
| La Puce à l'oreille | 1907 | "A Flea in Her Ear" |
| Occupe-toi d'Amélie | 1908 | |
| Feu la mère de madame | ||
| Le Circuit | 1909 | |
| On purge bébé | 1910 | |
| Mais n'te promène donc pas toute nue ! | 1911 | |
| Léonie est en avance ou le Mal joli | ||
| Cent Millions qui tombent (unfinished) | ||
| On va faire la cocotte (unfinished) | 1913 | |
| Je ne trompe pas mon mari | 1914 | |
| Hortense a dit : "Je m'en fous!" | 1916 | "Hortense says, 'I don't give a damn!'" |
Read more about this topic: Georges Feydeau
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (1865–1939)
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)