Works
| Name | Year | Other/Translated Names |
|---|---|---|
| Eglantine d’Amboise | 1873 | |
| Par la fenêtre | 1882 | "Through the Window" |
| Amour et Piano | 1883 | "Love and Piano" |
| Gibier de potence | "Fair Game" | |
| Fiancés en herbe | 1886 | |
| Tailleur pour dames | "Ladies' Dressmaker" | |
| La Lycéenne | 1887 | "The Schoolgirl" |
| Un bain de ménage | 1888 | |
| Chat en poche | "Pig in a poke" | |
| Les Fiancés de Loches | ||
| L’Affaire Édouard | 1889 | |
| C’est une femme du monde ! | 1890 | "She is a woman of the world!" |
| Le Mariage de Barillon | "The Marriage of Barillon" | |
| Monsieur chasse ! | 1892 | |
| Champignol malgré lui | "Champignol in Spite of Himself" | |
| Le Système Ribadier | "Where there's a will", "Every trick in the book" | |
| Un fil à la patte | 1894 | "Cat Among the Pigeons", "Get Out of My Hair!" |
| Notre futur | "Our future" | |
| Le Ruban | "The Ribbon" | |
| L'Hôtel du libre échange | "Free Exchange Hotel" | |
| Le Dindon | 1896 | "Sauce for the Goose" |
| Les Pavés de l’ours | "A Rough Diamond", "The Boor Hug" | |
| Séance de nuit | 1897 | |
| Dormez, je le veux ! | ||
| La Dame de chez Maxim | 1899 | "The Girl from Maxim's" |
| La Duchesse des Folies-Bergères | 1902 | |
| La Main passe | 1904 | |
| L'Âge d'or | 1905 | |
| Le Bourgeon | 1906 | |
| La Puce à l'oreille | 1907 | "A Flea in Her Ear" |
| Occupe-toi d'Amélie | 1908 | |
| Feu la mère de madame | ||
| Le Circuit | 1909 | |
| On purge bébé | 1910 | |
| Mais n'te promène donc pas toute nue ! | 1911 | |
| Léonie est en avance ou le Mal joli | ||
| Cent Millions qui tombent (unfinished) | ||
| On va faire la cocotte (unfinished) | 1913 | |
| Je ne trompe pas mon mari | 1914 | |
| Hortense a dit : "Je m'en fous!" | 1916 | "Hortense says, 'I don't give a damn!'" |
Read more about this topic: Georges Feydeau
Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)