Works
| Name | Year | Other/Translated Names |
|---|---|---|
| Eglantine d’Amboise | 1873 | |
| Par la fenêtre | 1882 | "Through the Window" |
| Amour et Piano | 1883 | "Love and Piano" |
| Gibier de potence | "Fair Game" | |
| Fiancés en herbe | 1886 | |
| Tailleur pour dames | "Ladies' Dressmaker" | |
| La Lycéenne | 1887 | "The Schoolgirl" |
| Un bain de ménage | 1888 | |
| Chat en poche | "Pig in a poke" | |
| Les Fiancés de Loches | ||
| L’Affaire Édouard | 1889 | |
| C’est une femme du monde ! | 1890 | "She is a woman of the world!" |
| Le Mariage de Barillon | "The Marriage of Barillon" | |
| Monsieur chasse ! | 1892 | |
| Champignol malgré lui | "Champignol in Spite of Himself" | |
| Le Système Ribadier | "Where there's a will", "Every trick in the book" | |
| Un fil à la patte | 1894 | "Cat Among the Pigeons", "Get Out of My Hair!" |
| Notre futur | "Our future" | |
| Le Ruban | "The Ribbon" | |
| L'Hôtel du libre échange | "Free Exchange Hotel" | |
| Le Dindon | 1896 | "Sauce for the Goose" |
| Les Pavés de l’ours | "A Rough Diamond", "The Boor Hug" | |
| Séance de nuit | 1897 | |
| Dormez, je le veux ! | ||
| La Dame de chez Maxim | 1899 | "The Girl from Maxim's" |
| La Duchesse des Folies-Bergères | 1902 | |
| La Main passe | 1904 | |
| L'Âge d'or | 1905 | |
| Le Bourgeon | 1906 | |
| La Puce à l'oreille | 1907 | "A Flea in Her Ear" |
| Occupe-toi d'Amélie | 1908 | |
| Feu la mère de madame | ||
| Le Circuit | 1909 | |
| On purge bébé | 1910 | |
| Mais n'te promène donc pas toute nue ! | 1911 | |
| Léonie est en avance ou le Mal joli | ||
| Cent Millions qui tombent (unfinished) | ||
| On va faire la cocotte (unfinished) | 1913 | |
| Je ne trompe pas mon mari | 1914 | |
| Hortense a dit : "Je m'en fous!" | 1916 | "Hortense says, 'I don't give a damn!'" |
Read more about this topic: Georges Feydeau
Famous quotes containing the word works:
“Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.”
—William Butler Yeats (1865–1939)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)