Biography
Georges Feydeau was born in Paris, the son of novelist Ernest-Aimé Feydeau and Léocadie Bogaslawa Zalewska. At the age of twenty, Feydeau wrote his first comic monologue in earnest. He found his first success four years later with Tailleur pour dames (Ladies' Dressmaker, 1889). That same year Feydeau married Marianne Carolus-Duran, the daughter of the famous portrait painter Carolus-Duran. To Feydeau, the marriage brought wealth that would sustain him until he found greater success. The marriage lasted 15 years after which the couple underwent a judicial separation and were formally divorced in 1916.
Feydeau began investigating the great farces in 1890, studying the works of Eugène Labiche, Henri Meilhac and Alfred Hennequin. This study inspired him to write his acclaimed play Champignol malgré lui (Champignol in Spite of Himself, 1892). Following this, Feydeau made a name for himself both in France and abroad, some of his plays opening overseas and in other languages before they opened in France.
These farces often involved Paris's demi-monde. They are noted for great wit and complex plots, featuring misunderstandings and coincidences, and what one critic called "jack-in-the-box construction".
Among his 60 plays, his most famous are: Une puce à l'oreille (A Flea in Her Ear, 1907), Le Système Ribadier (1892), La Dame de Chez Maxim (The Girl from Maxim's, 1899), and Hortense a dit: "Je m'en fous!" (Hortense says, "I don't give a damn!", 1916). Other notable Feydeau farces include L'Hôtel du libre échange, Le Dindon (Sauce for the Goose, 1896) and the series of plays he wrote after 1908 grouped under the title "Du Mariage au Divorce" ("On purge bébé", "Feu la mère de madame", Léonie est en avance" and "Mais ne te promène donc pas toute nue").
Though critics at the time dismissed Feydeau's works as light entertainment, he is now recognized as one of the great French playwrights of his era. His plays are seen today as precursors to Surrealist and Dada theatre, and the Theatre of the Absurd. They have been continuously revived and are still performed today, 17 of which have been performed on Broadway from 1895 to 1992.
Despite being a phenomenally successful playwright during his lifetime, his propensity for high living (he had a table permanently reserved for him at Maxim's), gambling, and the failure of his marriage led to financial difficulties.
During the winter of 1918, Feydeau contracted syphilis and slowly descended into madness to his death three years later at age 58. He is buried in Cimetière de Montmartre in Paris.
Read more about this topic: Georges Feydeau
Famous quotes containing the word biography:
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.”
—F. Scott Fitzgerald (1896–1940)