Works
His extant writings, noted by Thomas Park in Brydges's British Bibliographer, number over a hundred. Wither wrote, generally, in a pure English idiom, and preferred the reputation of rusticity. According to the Dunciad "Withers, Ward, and Gildon rest" together "Safe, where no Critics damn, no duns molest".
After a period of neglect, George Ellis anthologised Wither in Specimens of the Early English Poets (1790). Samuel Egerton Brydges published The Shepherds Hunting (1814), Fidelia (1815) and Fair Virtue (1818), and a selection appeared in Ezekiel Sanford's Works of the British Poets, vol. v. (1819).
Most of Wither's works were edited in twenty volumes for the Spenser Society (1871–82); a selection was included by Henry Morley in his Companion Poets (1891); Fidelia and Fair Virtue are included in Edward Arber's English Garner (vol. iv, 1882; vol. vi, 1883), and The Poetry of George Wither was edited by Frank Sidgwick in 1902.
A selection of Wither's hymns was published in 2011 by The Phoenix Press in The Gibbons Songbook. Whilst primarily a realisation of the tunes Orlando Gibbons wrote for The Hymns and Songs of the Church a selection of verses from the hymns is paired with the original verses from the King James Bible which inspired Wither to create the hymns.
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Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
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“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)