Works
His extant writings, noted by Thomas Park in Brydges's British Bibliographer, number over a hundred. Wither wrote, generally, in a pure English idiom, and preferred the reputation of rusticity. According to the Dunciad "Withers, Ward, and Gildon rest" together "Safe, where no Critics damn, no duns molest".
After a period of neglect, George Ellis anthologised Wither in Specimens of the Early English Poets (1790). Samuel Egerton Brydges published The Shepherds Hunting (1814), Fidelia (1815) and Fair Virtue (1818), and a selection appeared in Ezekiel Sanford's Works of the British Poets, vol. v. (1819).
Most of Wither's works were edited in twenty volumes for the Spenser Society (1871–82); a selection was included by Henry Morley in his Companion Poets (1891); Fidelia and Fair Virtue are included in Edward Arber's English Garner (vol. iv, 1882; vol. vi, 1883), and The Poetry of George Wither was edited by Frank Sidgwick in 1902.
A selection of Wither's hymns was published in 2011 by The Phoenix Press in The Gibbons Songbook. Whilst primarily a realisation of the tunes Orlando Gibbons wrote for The Hymns and Songs of the Church a selection of verses from the hymns is paired with the original verses from the King James Bible which inspired Wither to create the hymns.
Read more about this topic: George Wither
Famous quotes containing the word works:
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders mans spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (18211910)
“I divide all literary works into two categories: Those I like and those I dont like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (18601904)
“The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.”
—G.C. (Georg Christoph)