Relationship With Fans
Martin is known for his regular attendance through the decades at science fiction conventions and comics conventions and his accessibility to fans. In early 1980s, critic and writer Thomas Disch identified Martin as a member of the "Labor Day Group", writers who regularly congregated at the annual Worldcon, usually held on or around the Labor Day weekend. Martin has participated at the smaller Bubonicon near his home in New Mexico since 1986 and will appear in 2012.
Martin's official fan club is the "Brotherhood Without Banners," who have a regular posting board at the Forum of the large website, westeros.org, which is focused on his Song of Ice and Fire fantasy series. At the annual World Science Fiction Convention every year, the BWB hosts a large, on-going hospitality suite that is open to all members of the Worldcon; their suite frequently wins by popular vote the convention's best party award.
Martin has been criticized by some readers for the delays between books in the Ice and Fire series, notably the six-year gap between the fourth volume, A Feast for Crows (2005), and the fifth volume, A Dance with Dragons (2011). In 2010, Martin responded to these concerns, saying he was unwilling to write his Ice and Fire series exclusively, saying that other writing and editing different projects has always been part of his working process.
Martin is strongly opposed to fan fiction, believing it to be copyright infringement and a bad exercise for aspiring writers.
Read more about this topic: George R. R. Martin
Famous quotes containing the words relationship with, relationship and/or fans:
“Guilty, guilty, guilty is the chant divorced parents repeat in their heads. This constant reminder remains just below our consciousness. Nevertheless, its presence clouds our judgment, inhibits our actions, and interferes in our relationship with our children. Guilt is a major roadblock to building a new life for yourself and to being an effective parent.”
—Stephanie Marston (20th century)
“From infancy, a growing girl creates a tapestry of ever-deepening and ever- enlarging relationships, with her self at the center. . . . The feminine personality comes to define itself within relationship and connection, where growth includes greater and greater complexities of interaction.”
—Jeanne Elium (20th century)
“My beautiful, my own
My only Venice—this is breath! Thy breeze
Thine Adrian sea-breeze, how it fans my face!
Thy very winds feel native to my veins,
And cool them into calmness!”
—George Gordon Noel Byron (1788–1824)