George Moore (novelist) - Works

Works

  • Flowers of Passion London: Provost & Company, 1878
  • Martin Luther: A Tragedy in Five Acts London: Remington & Company, 1879
  • Pagan Poems London: Newman & Company, 1881
  • A Modern Lover London: Tinsley Brothers, 1883
  • A Mummer's Wife London: Vizetelly & Company, 1885
  • Literature at Nurse London: Vizetelly & Company, 1885
  • A Drama in Muslin London: Vizetelly & Company, 1886
  • Confessions of a Young Man Swan Sonnenshein Lowrey & Company, 1886
  • A Mere Accident London: Vizetelly & Company, 1887
  • Parnell and His Island London; Swan Sonnenshein Lowrey & Company, 1887
  • Spring Days London: Vizetelly & Company, 1888
  • Mike Fletcher London: Ward & Downey, 1889
  • Impressions and Opinions London; David Nutt, 1891
  • Vain Fortune London: Henry & Company, 1891
  • Modern Painting London: Walter Scott, 1893
  • The Strike at Arlingford London: Walter Scott, 1893
  • Esther Waters London: Walter Scott, 1894
  • Celibates London: Walter Scott, 1895
  • Evelyn Innes London: T. Fisher Unwin, 1898
  • The Bending of the Bough London: T. Fisher Unwin, 1900
  • Sister Theresa London: T. Fisher Unwin, 1901
  • The Untilled Field London: T. Fisher Unwin, 1903
  • The Lake London: William Heinemann, 1905
  • Memoirs of My Dead Life London: William Heinemann, 1906
  • The Apostle: A Drama in Three Acts Dublin: Maunsel & Company, 1911
  • Hail and Farewell London: William Heinemann, 1911, 1912, 1914
  • The Apostle: A Drama in Three Acts Dublin: Maunsel & Company, 1911
  • Elizabeth Cooper Dublin: Maunsel & Company, 1913
  • Muslin London: William Heinemann, 1915
  • The Brook Kerith: A Syrian Story London: T. Warner Laurie, 1916
  • Lewis Seymour and Some Women New York: Brentano's, 1917
  • A Story-Teller's Holiday London: Cumann Sean-eolais na hEireann (privately printed), 1918. This work contains the story later re-published in the collection Celibate Lives, 1927, as the short story "The Singular Life of Albert Nobbs" which was made into a 2011 movie, Albert Nobbs, starring Glenn Close.
  • Avowals London: Cumann Sean-eolais na hEireann (privately printed), 1919
  • The Coming of Gabrielle London: Cumann Sean-eolais na hEireann (privately printed), 1920
  • Heloise and Abelard London: Cumann Sean-eolais na hEireann (privately printed), 1921
  • In Single Strictness London: William Heinemann, 1922
  • Conversations in Ebury Street London: William Heinemann, 1924
  • Pure Poetry: An Anthology London: Nonesuch Press, 1924
  • The Pastoral Loves of Daphnis and Chloe London: William Heinemann, 1924
  • Daphnis and Chloe, Peronnik the Fool New York: Boni & Liveright, 1924
  • Ulick and Soracha London: Nonesuch Press, 1926
  • Celibate Lives London: William Heinemann, 1927 (This collection and his previous work A Story-Teller's Holiday both include the short story "The Singular Life of Albert Nobbs" which was made into a movie, with Glenn Close.)
  • The Making of an Immortal New York: Bowling Green Press, 1927
  • The Passing of the Essenes: A Drama in Three Acts London: William Heinemann, 1930
  • Aphrodite in Aulis New York: Fountain Press, 1930
  • A Communication to My Friends London: Nonesuch Press, 1933
  • Diarmuid and Grania: A Play in Three Acts Co-written with W.B. Yeats, Edited by Anthony Farrow, Chicago: De Paul, 1974

Letters

  • Moore Versus Harris Detroit: privately printed, 1921
  • Letters to Dujardin New York: Crosby Gaige, 1929
  • Letters of George Moore Bournemouth: Sydenham, 1942
  • Letters to Lady Cunard Ed. Rupert Hart-Davis. London: Rupert Hart-Davis, 1957
  • George Moore in Transition Ed. Helmut E. Gerber, Detroit: Wayne State University Press, 1968

Read more about this topic:  George Moore (novelist)

Famous quotes containing the word works:

    “Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
    —bell hooks (b. c. 1955)

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)