Development
Seinfeld co-creator Larry David based George largely on himself. Seinfeld and David created the character as a counterpoint to Seinfeld's character. In the first draft of the show's pilot script, called Stand-Up at the time, George's name was Bennett and he, like Jerry, was a comedian. In that same draft, the scene in the pilot in which George and Jerry discuss a woman Jerry met earlier, saw George and Jerry discussing their stand-up act. This idea however, was quickly abandoned and his name was changed to George, the real estate broker instead. George's last name comes from Michael Costanza, a college classmate of Seinfeld. "Louis", George's middle name is a homage to Lou Costello, whose 1950s television series The Abbott and Costello Show, inspired Seinfeld's writing style. During the show's run David was frequently asked why he did not play the character himself, he replied that he was only interested in writing the show, that, not only did he not want to act on the show, but it had never occurred to him and, even if it had, he highly doubted that NBC would have approved of his being cast.
Casting director Marc Herschfield stated that, during casting for the character, "we saw every actor we could possibly see in Los Angeles", but they could not find the right actor for the part. Among the auditionees were Nathan Lane, Steve Buscemi, David Alan Grier, Brad Hall and Larry Miller. On April 3, 1989, Herschfield sent a partial script to Jason Alexander, who was in New York City at the time. Herschfield had met Alexander when he was working on the CBS sitcom E/R. Alexander enjoyed the script and felt it read like a Woody Allen film; therefore, he did a Woody Allen impression on his audition tape, and bought a pair of glasses to better resemble the character. Though Alexander thought his audition was "a complete waste of time", both David and Seinfeld were impressed; Seinfeld stated "the second we saw him, like two lines out of his mouth, we went 'That's the guy'". On April 10, 1989 at 9:00 A.M. Alexander did his first official audition and met David and Seinfeld. While in the waiting room for his final audition, Alexander saw that Larry Miller was also auditioning. Alexander was aware that Miller and Seinfeld were very good friends, and so figured that he would not get the part. After his final audition he returned to New York City, and when he landed he received a phone call informing him that he was hired.
Many of George's predicaments were based on David's past real-life experiences. In "The Revenge", for example, when George quits his job in a fury only to realize he has made a mistake, he goes back the next day as if nothing happened; this mirrors David's actions while working as a writer for Saturday Night Live, when he quit and then returned to his job in the same manner. As the show progressed, Alexander discovered that the character was based on David. As Alexander explains in an interview for the Seinfeld DVD, during an early conversation with David, Alexander questioned a script, saying, "This could never happen to anyone, and even if it did, no human being would react like this." David replied, "What do you mean? This happened to me once, and this is exactly how I reacted!" After that, Alexander changed his performance from an imitation of Woody Allen to what he has called a "shameless imitation of Larry David."
In 1998, Michael Costanza sued the show for US$100,000,000, claiming that he never gave permission for his name to be used and that, because of the character's appearance and behavior, he was not treated with respect. Costanza lost the suit, as the New York Supreme Court (the trial court in the State of New York court system) unanimously decided that Seinfeld and David "did not violate Michael Costanza's privacy rights when they created the character".
Read more about this topic: George Costanza
Famous quotes containing the word development:
“To be sure, we have inherited abilities, but our development we owe to thousands of influences coming from the world around us from which we appropriate what we can and what is suitable to us.”
—Johann Wolfgang Von Goethe (17491832)
“And then ... he flung open the door of my compartment, and ushered in Ma young and lovely lady! I muttered to myself with some bitterness. And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!”
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“Ive always been impressed by the different paths babies take in their physical development on the way to walking. Its rare to see a behavior that starts out with such wide natural variation, yet becomes so uniform after only a few months.”
—Lawrence Kutner (20th century)