Works
In 1817 his first essay on phrenology was published in The Scots Magazine; and a series of papers on the same subject appeared soon afterwards in the Literary and Statistical Magazine; these were collected and published in 1819 in book form as Essays on Phrenology, which in later editions became A System of Phrenology.
Combe's most popular work, The Constitution of Man, was published in 1828, and he was widely denounced as a materialist and atheist. In this book, Combe wrote: "Mental qualities are determined by the size, form and constitution of the brain; and these are transmitted by hereditary descent".
In 1840 he published his Moral Philosophy, and in the following year his Notes on the United States of North America.
The culmination of Combe's autobiographical philosophy is contained in "On the Relation between Science and Religion", first publicly issued in 1857.
Combe moved into the economic arena with his pamphlet on The Currency Question (1858).
Read more about this topic: George Combe
Famous quotes containing the word works:
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (1871–1945)
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)