Works
In 1817 his first essay on phrenology was published in The Scots Magazine; and a series of papers on the same subject appeared soon afterwards in the Literary and Statistical Magazine; these were collected and published in 1819 in book form as Essays on Phrenology, which in later editions became A System of Phrenology.
Combe's most popular work, The Constitution of Man, was published in 1828, and he was widely denounced as a materialist and atheist. In this book, Combe wrote: "Mental qualities are determined by the size, form and constitution of the brain; and these are transmitted by hereditary descent".
In 1840 he published his Moral Philosophy, and in the following year his Notes on the United States of North America.
The culmination of Combe's autobiographical philosophy is contained in "On the Relation between Science and Religion", first publicly issued in 1857.
Combe moved into the economic arena with his pamphlet on The Currency Question (1858).
Read more about this topic: George Combe
Famous quotes containing the word works:
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)