Fur Traders Descending The Missouri
One of Bingham's most famous paintings, this work is owned by the Metropolitan Museum of Art in New York. Painted around 1845 in the style called luminism by some historians of American art, it was originally entitled, French Trader, Half-breed Son. The American Art Union thought the title potentially controversial and renamed it when it was first exhibited. It reflected the reality of fur trappers and traders frequently marrying Native American women in their territories; in Canada the ethnic Métis people have been recognized by the government as a distinct group with status similar to First Nations. The painting is haunting for its evocation of an era in American history—note, in particular, the liberty cap worn by the older man. The animal in the boat is widely accepted as a bear cub and not a cat.
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Famous quotes containing the word descending:
“There is, however, this consolation to the most way-worn traveler, upon the dustiest road, that the path his feet describe is so perfectly symbolical of human life,—now climbing the hills, now descending into the vales. From the summits he beholds the heavens and the horizon, from the vales he looks up to the heights again. He is treading his old lessons still, and though he may be very weary and travel-worn, it is yet sincere experience.”
—Henry David Thoreau (1817–1862)