Works
- Artie. A story of the streets and town (1896)
- Pink Marsh : a story of the streets and town (1897)
- Doc' Horne (1899)
- Fables in slang (1899)
- More fables (1900)
- American vacations in Europe (1901)
- Forty modern fables (1901)
- Girl proposition (1902)
- The County Chairman (1903)
- Handsome Cyril, or, The messenger boy with the warm feet (1903)
- In Babel; stories of Chicago (1903)
- Circus Day (1903)
- People you know (1903)
- Strenuous lad's library (1903)
- Sultan of Sulu; an original satire in two acts (1903)
- Breaking into society (1904)
- The College Widow (1904; adapted as a musical in 1917, Leave It to Jane)
- Sho gun, an original comic opera in two acts (1904)
- True bills (1904)
- Round about Cairo, with and without the assistance of the dragoman or Simon Legree of the Orient (1906)
- Slim princess (1907)
- Fair co-ed (1909)
- Old town (1909)
- I Knew Him When : a Hoosier fable dealing with the happy days of away back yonder (1910)
- Hoosier hand book and true guide for the returning exile (1911)
- Verses and jingles (1911)
- Just out of college; a light comedy in three acts (1912)
- Knocking the neighbors (1913)
- Ade's fables (1914)
- Invitation to you and your folks from Jim and some more of the home folks (1916)
- Marse Covington; a play in one act (1918)
- Hand-made fables (1920)
- Single blessedness, and other observations (1922)
- Mayor and the manicure; a play in one act (1923)
- Nettie, a play in one act (1923)
- Speaking to father; a play in one act (1923)
- Father and the boys; a comedy-drama (1924)
- The Sigma Chi Creed (1929)
- On the Indiana trail (1930)
- Old-time saloon: not wet--not dry, just history (1931)
- Thirty fables in slang (1933)
- One afternoon with Mark Twain (1939)
- Notes & reminiscences (with John T. McCutcheon) (1940)
- The America of George Ade, 1866-1944; fables, short stories, essays (edited and introduced by Jean Shepherd) (1960)
Read more about this topic: George Ade
Famous quotes containing the word works:
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtuethe same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (18711945)